"First impressions are good, with Fabrice Bollon conducting the heavenly-chorus prelude in a warm, sculpted sweep of music, the Freiburg forces clearly unfazed by the multi-layered intricacy of Korngold's orchestral writing ... Kremer, as Heliane, is at her most affecting in the quieter moments ... The choral singing is fervent, and blends richly with the orchestral playing - which, under Bollon's shapely, impassioned direction is the real glory of this performance".