"Englaborn is, indeed, utterly gorgeous ... The sixteen miniature pieces here have been described as a balance of emotional opposites, love and hate, reflecting the contrast between the music and the play, which is extremely violent and disturbing. Johannsson's music is extremely nuanced, a collection of ever-changing moods moving beyond words while maintaining a profound simplicity. Shimmering, colourful and alive, it's not surprising to hear that strangers have come up to Johannsson and hugged him since hearing it".