Musik / electronica

Foreverandevernomore


Anmeldelser (8)


The observer

d. 16. okt. 2022

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Sophie Harris (musikanmelder)

d. 16. okt. 2022

"These are songs rather than ambient pieces, and Eno's voice is deeper now and more commanding, even as it ripples with anger, regret - flashing like a chameleon's skin in flux. The gorgeous single We Let It In, which features vocals from daughter Darla, is a meditative jewel. It's stirring to hear Eno sing again - these songs feel personal, intimate and urgent".


Uncut

2022 November

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Wyndham Wallace

2022 November

"Album of the month" - "It's the end of the world as we know it... Eno returns to the vocal booth: In just the span of a pandemic, Brian appears to have renounced Mixing Colours' escapist tendencies, his agenda now not only more pressing but also grounded in reality ... Perhaps the most powerful weapon Eno now possesses is his still-underrated voice, which he employs here admirably to communicate the feelings at Foreverandevernomore's heart ... His velvet pipes and gracious harmonies, however, can't hide how, befitting its themes of imminent catastrophe, this is frequently uneasy listening ... Brian could have chosen to hector us, but instead reminds us of all we stand to lose while offering a flavour of our inevitably forthcoming grief. Certainly, the atmosphere's unnerving, almost bleak, but it's even more inspiring, and most of all poignant".


Uncut

2022 November

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af

Wyndham Wallace

2022 November

"Album of the month" - "It's the end of the world as we know it... Eno returns to the vocal booth: In just the span of a pandemic, Brian appears to have renounced Mixing Colours' escapist tendencies, his agenda now not only more pressing but also grounded in reality ... Perhaps the most powerful weapon Eno now possesses is his still-underrated voice, which he employs here admirably to communicate the feelings at Foreverandevernomore's heart ... His velvet pipes and gracious harmonies, however, can't hide how, befitting its themes of imminent catastrophe, this is frequently uneasy listening ... Brian could have chosen to hector us, but instead reminds us of all we stand to lose while offering a flavour of our inevitably forthcoming grief. Certainly, the atmosphere's unnerving, almost bleak, but it's even more inspiring, and most of all poignant".


The observer

d. 16. okt. 2022

af

af

Sophie Harris (musikanmelder)

d. 16. okt. 2022

"These are songs rather than ambient pieces, and Eno's voice is deeper now and more commanding, even as it ripples with anger, regret - flashing like a chameleon's skin in flux. The gorgeous single We Let It In, which features vocals from daughter Darla, is a meditative jewel. It's stirring to hear Eno sing again - these songs feel personal, intimate and urgent".


Information

d. 10. nov. 2022

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Ralf Christensen

d. 10. nov. 2022

"Hans nye 28. soloalbum er et klimakriseværk, der både trækker vejret uendeligt langsomt og mildt oprømt sender menneskeheden ad helvede til ... Enos nye album er hans første album, hvor han synger i næsten 17 år, og det står i et vadested mellem hans ambiente klangflader og højstemt, ofte kirkelig musik og sang ... Det er et helt utrolig velklingende album".


Information

d. 10. nov. 2022

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af

Ralf Christensen

d. 10. nov. 2022

"Hans nye 28. soloalbum er et klimakriseværk, der både trækker vejret uendeligt langsomt og mildt oprømt sender menneskeheden ad helvede til ... Enos nye album er hans første album, hvor han synger i næsten 17 år, og at det står i et vadested mellem hans ambiente klangflader og højstemt, ofte kirkelig musik og sang ... Det er et helt utrolig velklingende album".


Mojo

2022 November

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David Sheppard

2022 November

"Not a "protest album", Eno insists, but, rather, a necessarily sombre meditation on a world that is "changing at a super-rapid rate... large parts of it are disappearing for ever". As such, it is as timely as it is sobering and, in places, austerely, compellingly beautiful".


Mojo

2022 November

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af

David Sheppard

2022 November

"Not a "protest album", Eno insists, but, rather, a necessarily sombre meditation on a world that is "changing at a super-rapid rate... large parts of it are disappearing for ever". As such, it is as timely as it is sobering and, in places, austerely, compellingly beautiful".