Future teenage cave artists

"In what can be viewed as a response to the current geopolitical, economical, and cultural environment, Deerhoof have returned to the lean and scrappy sound from which they were birthed. Thematically, Future Teenage Cave Artists imagines a not-too-distant future in which our society's collective outpourings are seen as the cave art of a primitive civilization that has since decimated itself".

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"Future civilisations may struggle to interpret the art that Deerhoof leave behind - contemporary critics have a hard enough time - but it should be noted that our world was nonetheless richer for it".

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"As Deerhoof dives into the messes that younger generations have to clean up, and art's role in the process, they sound rawer than they have in years. These songs are filled with intentionally frayed edges and jarring edits, as if they were created with whatever broken equipment the band could find after society collapsed. It's an approach that's both timely and familiar, echoing the fraught state of the world in the early 2020s as well as the relatively crude sound quality of Deerhoof's first album, 1997's The Man, the King, the Girl".

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