Tristan und Isolde
Richard Wagner
Emneord
Minder om
Nemeton
Matthias Pintscher
Arpeggione
Franz Schubert
A good time was had by all
DR Big Band
Incidental music to Peer Gynt
Edvard Grieg
Symphony no. 3
Gustav Mahler
Schubert Lieder
Franz Schubert
Lieder on record & legendary Lied cycle recordings : Lieder in historischen Aufnahmen 1901-1951
Robert Schumann
Symphonies 1 à 5 : Révolution
Ludwig van Beethoven
Årstiderne : 28 danske sange
DR Vokalensemblet
Anmeldelser (7)
Politiken
d. 25. sep. 2003
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d. 25. sep. 2003
Jyllands-posten
d. 22. dec. 2003
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d. 22. dec. 2003
BBC music magazine
2018 August
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Jessica Duchen
2018 August
"In the two formal quartets there's no mistaking the passion and energy of the four players, yet the Schumann work does somtimes seem a little over-pressed ... The genial, sun-filled Mendelssohn, however, is a delight from start to finish".
Fono Forum
2018 Juli
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Burkhard Schäfer
2018 Juli
"Denn wie schon auf 'Landscapes', der 2016 erschienenen Debüt-CD des Quartetts, gelingt es den Musikern auch jetzt wieder, ein Konzept-Album vorzulegen, das nicht nur in seiner Werkauswahl, -anordnung und -dramaturgie überzeugt, sondern auch in punkto Interpretation, Klangqualität und Repertoirewert (fast) keine Wünsche offen lässt".
The gramophone
2014 February
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Caroline Gill
2014 February
"The tuning and balance in every piece on this disc is absolutely faultless, and it is this one fact that launches an interesting programming idea into a whole other world of mien and conclusion ... A set of truly special performances".
International record review
2010 June
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Patrick Rucker
2010 June
"The most striking feature of the Prazak's collaboration with Koroloiv in the glorious E flat Piano Quintet is the cohesion of ensemble playing, but from the outset anormalities begin to surface ... robs Schumann's principal material of its innate character ... I suspect Schumann fans will prefer the perfromances og the Kiujken Quartet".
The gramophone
2018 September
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Harriet Smith
2018 September
"In the first of the quartets by their namesake, they are alive to its changeability and embrace the skittering accents of the Scherzo without ever becoming merely motoric, the Trio offering a moment of clam ... For Reimann's reworkings of Schumann's Op. 107 songs the quartet are joined by Anna Lucia Richter, who sings with flexibility and vivacity ... The final song, Abendlied, is particularly heart-rending in this version, the quartet lending the voice a chorale-like cushion of sound ... A fine offering from this young group".