Johan Ludvig Heiberg : philosopher, littérateur, dramaturge, and political thinker (engelsk)

Indledning s. xix-xxii; Carl Henrik Koch, "Heiberg’s ‘Hegelian’ Solution to the Free Will Problem", s. 5-36; Curtis L. Thompson, "Heiberg’s Legitimation of Speculative Thinking for Golden Age Copenhagen", s. 37-94; István Czakó, "Heiberg and the Immortality Debate. A Historical Overview", s. 95-138; Jon Stewart, "Heiberg’s Speculative Poetry as a Model for Kierkegaard’s Concept of Controlled Irony", s. 139-60; Nataliya Vorobyova, "Heiberg and Kierkegaard. Playing with Nemesis", s. 165-91; N. A. Furness, "Hebbel’s Dispute with Heiberg", s. 193-209; Tonny Aagaard Olesen, "Heiberg’s Initial Approach. The Prelude to his Critical Breakthrough", s. 211-45; id., "Heiberg’s Critical Breakthrough in 1828. A Historical Presentation", s. 247-307; Joachim Schiedermair, "Hegelian Terminology and Platonic Imagery. On Two Competing Models of Art in Heiberg’s Works on Aesthetics", s. 311-25; Nathaniel Kramer & Matthew Ancell, "Heiberg, the Golden Age, and the Danish Afterlives of Pedro Calderón de la Barca", s. 327-56; András Nagy, "Either Hegel or Dialectics. Johan Ludvig Heiberg, ‘Homme de théâtre’", s. 357-94; Kirsten Wechsel, "Lack of Money and Good Taste. Questions of Value in Heiberg’s Vaudevilles", s. 395-417; Leonardo F. Lisi, "Heiberg and the Drama of Modernity", s. 421-48; Thomas Fauth Hansen, "The Expression of Infinity. Reflections on Heiberg’s View of Contemporary Culture", s. 449-70; Lise Busk-Jensen, "Heiberg’s View of Female Authors", s. 471-92; Katalin Nun, "’A Passionflower Planted in a Cabbage Garden’. Heiberg, Mathilde Fibiger and the Emancipation of Women", s. 493-516.