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Musik / kor

La passion de Simone

Kaija Saariaho

Anmeldelser (6)

Diapason

2013 mai

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Benoît Fauchet

2013 mai

Klassisk

2013, nr. 29

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Esben Tange (f. 1962)

2013, nr. 29

"I oratoriet La Passion de Simone fra 2006 viser finske Kaija Saariaho ... i hvor høj grad hun kombinerer nordisk klarhed med en katolsk farvet fransk følsomhed og fantastik ... Og med den engelske sopran Dawn Upshaw som en lysende solist og med Esa-Pekka Salonen i spidsen for det store ensemble har La Passion de Simone fået de bedste tænkelige formidlere".

Opus

2013, nr. 48

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Axel Lindhe

2013, nr. 48

"Här målas upp en rymdinspirerande, drömlik, mystisk klangvärd med imponerande färgrikedom. Med Dawn Upshaws sopranstämma i förgrunden ... och med Saariahos speciella klangväv som bakgrund skapas onekligen en säregen meditativ, drömmande stämning. Men dramatik saknas inte heller ... Allt är fruktansvärt välgjort, från orkesterspel och kör till Dawn Upshaws sopranstämma, och Salonen leder sina styrkor med perfekt precision".

BBC music magazine

2013 July

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Hilary Finch

2013 July

"Upshaw's always seems the perfect voice and sensibility for Saariaho's music; and Esa-Pekka Salonen, Saariaho's colleague from their student days, is an intensely engaged and sympathetic director of his forces and of the score".

The gramophone

2013 July

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David Fanning

2013 July

"A guiding idea for the work is the polarity of light and gravity ... Upshaw does as much with the demanding vocal lines as anyone could expect of her, and Salonen and his forces keep everything in sharp focus".

International record review

2013 June

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Richard Whitehouse

2013 June

"The present account has a great deal to recommend it. That the soprano part is tailor-made for Upshaw ensures a smooth elegance in the middle register ... The Tapiola Choir is in command of the diaphanous and often Messianic choral writing, with the Finnish Radio Symphony Orchestra no less responsive under the guidance of Esa-Pekka Salonen ... La Passion de Simone nevertheless leaves a mixed impression, not least because Saariaho's music is too sensuous fully to capture the plangency of Weil's thought ... Requires to be heard".