Il barbiere di Siviglia
Gioacchino Rossini
Emneord
Anmeldelser (5)
MusicWeb international
2014 February
af
af
Göran Forsling (f. 1942)
2014 February
"The orchestra play well, the recorded sound is great but it is for the singing that this production is worth investing in ... [Golovneva] makes her debut as Luisa and she sings radiantly. Her last act aria is heavenly ... This DVD is a sure way of falling in love with one of Verdi's most delectable scores".
MusicWeb international
2006 December
af
af
Robert J. Farr
2006 December
"I have referred to the rather over-done sets. Despite my reservations I prefer these to a producers concept that buries Verdis intentions in silly ideas and the odd block or cube around the stage. Levines conducting is vibrant without being overpowering in Verdis intimate scenes. The picture quality is not up to the latest standards with the colours lacking sharpness and lens distortion sometimes evident. Despite those limitations I welcome this issue. It is not only the first availability of this Met performance in any medium, but also to the best of my knowledge, the first performance of Luisa Miller on DVD".
Jyllands-posten
d. 4. okt. 2006
af
af
John Christiansen
d. 4. okt. 2006
"Der synges stærkt med Placido Domingo som grevesønnen, som uden held gør oprør mod sin fader (Bonaldo Giaiotti) i sin kærlighed til den jævne Luisa, den rørende Renata Scotto, hvis fader Miller er Sherrill Milnes ... Meget er vundet med sangerne, hvoraf flertallet dør inden tæppefald. Opsætningen er typisk Metropolitan-flot, men i Nathaniel Merrills iscenesættelse også lidt mølædt gammeldags".
Klassisk
2013, nr. 29
af
af
Steen Chr. Steensen
2013, nr. 29
"200 år siden Verdi blev født ... Teatro Regio di Parma holder sig ikke tilbage, selvom man måske skulle have tænkt sig om to gange ... Orkesterspillet kommer heller ikke helt til sin ret, selvom det bliver effektivt dirigeret ... Det store plus i Luisa Miller er sangerne og deres sangkunst - de kommer fra mange lande, men viser sikker fornemmelse for Verdi ... ren sangerglæde ... Personinstruktionen giver minder om gamle stumfilm med teatralsk mimik og overdrevne bevægelser ... Det er synd og skam".
International record review
2014 February
af
af
Roger Pines
2014 February
"Golovneva is more than equal to Luisa's intimidating music. Blessed with a treasurable musicality, the Russian soprano also possesses the necessary agility ... and stamina ... Slight of figure, onscreen she looks barely 20 ... Any admirer of this wonderful opera will want to see and hear Golovneva's enchanting heroine".