Async - remodels
Riuichi Sakamoto
Emneord
Minder om
String quartet no. 2, op. 26
Erich Wolfgang Korngold
Blues for 333 saints
Moussa Diallo
The Morricone duel : the most dangerous concert ever
Ennio Morricone
Rough guide to Caribbean café
Africa Express presents the Orchestra of Syrian Musicians & guests
The Orchestra of Syrian Musicians
Tønder Festival 2016
Beginner's guide to Africa
Honky Tonk Goose
Honky Tonk Goose
Jama ko
Bassekou Kouyaté
Anmeldelser (4)
Exclaim!
d. 30. jan. 2019
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Ryan B. Patrick
d. 30. jan. 2019
"Miri means contemplation or dream in the Bamana language and adequately represents the intent of Bassekou Kouyate's fifth studio release. Miri takes us to Kouyate's Mail-based hometown of Garana to highlight the struggles and triumphs the region has endured ... While it lacks the political punch of 2015 album Ba Power, Miri stands on its own as a call for peace, mindfulness and reflection".
PopMatters
d. 30. jan. 2019
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Adriane Pontecorvo
d. 30. jan. 2019
"Bassekou Kouyate and his family, by blood and otherwise, are a masterful crew. Miri is not their most immediately attention-grabbing work. Instead, it is an ornate display of timeless beauty, intricate, colorful, and technical, evoking older West African traditions and a global network of sound along with pristine, modern-day production quality and a brilliant sense of composition and ingenuity".
Mojo
2019 February
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David Hutcheon
2019 February
"After two albums of scuzzed-up distortion befitting any Sub Pop alumnus, Bassekou Kouyaté dispenses with trickery and returns to his studio in Mali to think about (the title track translates as "contemplation") the state of his nation. With his wife, Ami Sacko, on vocals and his son, Madou, on bass ngoni, he laments the problems currently tearing the country apart (...) and cherishes what is worth holding on to".
fRoots
2019 Spring
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Vic Smith
2019 Spring
"Since their stunning debut (...), each album shows a development on the previous one, but this one more than others ... The ngonis sound brighter and sharper (...) and more capable of tonal variety. Bassekou playing bottleneck slide ngoni (...) is just one of the innovations. Another change is in his voice production, which is more mellow overall at the same time as being more engaging. There is perhaps less of the wonderful voice of his wife Amy Sacko this time but when we hear it, she really makes her mark ... Featuring guests on some individual tracks adds a great deal including rhythmic variety, particularly where they are joined by the award-winning Cuban Medra Limpia to create some exciting Afro-Cuban music and take the ngoni into a new era ... In the excellent 16-page booklet we are offered a synopsis and background to each of the songs - lots of environmental and political concerns - as well as arresting photos".