Shelter

"Shelter, Moiré's first full-length, arrives 18 months into his career, and it couldn't be more timely. The record's eight productions are lean and effective in ways that most music currently inhabiting this scene can't or won't aspire to. Where Brooklyn's White Material Records pushes dirty hardware house and Jimmy Edgar's Ultramajic label treats Detroit techno like a sex toy, Shelter boils its run-in-the-red low end and hissing hi-hats until you can see yourself in their vacuum-sealed sheen".

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"The album's middle third is exceptional, where Moiré's output once again draws from Parrish, Lawrence, and also Moodymann with raw, almost jacking beats, sustained high-pitch strings (either sampled or synthetic), and entrancing, downcast melodies. The rapid "No Gravity" eclipses all of Moiré's earlier highlights with the fluid combination of a reverberant prowling bassline, dampened handclaps, and swirling effects -- at once, his hardest and most graceful track".

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