"Gabor Szabo's second album as a leader (after leaving a sublime Chico Hamilton band that also included Charles Lloyd) remains one of his finest moments in the studio. Szabo utilized the talents of bassist Ron Carter and his old boss Hamilton on drums, as well as a pair of fine Latin percussionists ... The groove quotient was very high on Spellbinder, maybe even higher than on later albums such as Jazz Raga or Sorcerer. This set is all Szabo, drifting, wafting, and soaring above all that rhythm; the track selection provides ample space for Szabo's highly individualized Eastern modal style to shine ... [On] "Gypsy Queen" (the opening droning moments of which the Doors lifted entirely for "The End") [also covered by Santana on Abraxas] (...) the Latin rhythms and guitar go head to head, point to counterpoint. A pronounced yet elusive melody line propels a series of polyrhythms forward into an abyss of melody, mode, and frighteningly intense legato phrasing, leaving thelistenerbreathless ... Szabo's read on jazz in the '60s was brilliant. He embodied all of its most popular aspirations with a genuine spirit of innovation and adventure. Spellbinder is a masterpiece".