Musik / rock

The path of the clouds


Anmeldelser (6)


AllMusic

2021

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Marcy Donelson

2021

"With her ninth album, The Path of the Clouds, she finally tips the balance from indie folk to rock on a cinematic set largely inspired by watching reruns of Unsolved Mysteries during pandemic lockdown in 2020. What Nadler does with those inspirations is uniquely hers ... The Path of the Clouds was constructed by Nadler sending frameworks of songs to long-distance collaborators; Seth Manchester (Lightning Bolt, Battles, METZ) later mixed the album after judiciously adding feedback and distorted guitars. These adjustments perfectly suit the album's epic, aching songs, which refuse to keep tragedy at arm's length".


Pitchfork

d. 3. nov. 2021

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Emma Madden

d. 3. nov. 2021

"True to the ballad form, the songs that explicitly reference true crime stories sound fit for oration, more like speech than poetry. While Nadler favors literalism over literary devices (...) she seems to possess a near-classical sensitivity to the sound and shape of words; she's playful and precise with her assonance, letting each vowel augment and curl over into the next line. The thrills of The Path of the Clouds are far richer than most true crime fiction, but like the best examples of the genre, it leaves you breathless".


AllMusic

2021

af

af

Marcy Donelson

2021

"With her ninth album, The Path of the Clouds, she finally tips the balance from indie folk to rock on a cinematic set largely inspired by watching reruns of Unsolved Mysteries during pandemic lockdown in 2020. What Nadler does with those inspirations is uniquely hers ... The Path of the Clouds was constructed by Nadler sending frameworks of songs to long-distance collaborators; Seth Manchester (Lightning Bolt, Battles, METZ) later mixed the album after judiciously adding feedback and distorted guitars. These adjustments perfectly suit the album's epic, aching songs, which refuse to keep tragedy at arm's length".


Pitchfork

d. 3. nov. 2021

af

af

Emma Madden

d. 3. nov. 2021

"True to the ballad form, the songs that explicitly reference true crime stories sound fit for oration, more like speech than poetry. While Nadler favors literalism over literary devices (...) she seems to possess a near-classical sensitivity to the sound and shape of words; she's playful and precise with her assonance, letting each vowel augment and curl over into the next line. The thrills of The Path of the Clouds are far richer than most true crime fiction, but like the best examples of the genre, it leaves you breathless".


Mojo

2021 December

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Kieron Tyler

2021 December

"Exquisitely wrought tales of mystery and imagination ... Musically, Nadler's virtuoso, downbeat songs radiate the foreboding accompanying the the inspection of a locked room being reopened after decades. Perfect for David Lynch, should he require stimulation".


Mojo

2021 December

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Kieron Tyler

2021 December

"Exquisitely wrought tales of mystery and imagination ... Musically, Nadler's virtuoso, downbeat songs radiate the foreboding accompanying the the inspection of a locked room being reopened after decades. Perfect for David Lynch, should he require stimulation".