"Very much influenced by the folk revival which brought her into the public eye, her voice is untutored and unself-conscious, appealing in an offhand way. But it definitely quavers a little, even on her own work, and she seems most comfortable with the record's only traditional piece, "Standing on the Shore." To give credit, Briggs throws in a couple of bouzouki instrumentals, "Highlodge Hare" and "Clea Caught a Rabbit," that show some command of the instrument. The whole here might be less than the sum of its parts - but the parts, in some intangible way, remain very appealing".