"The USP here lies in pairing Byrd with his anniversary-mate Thomas Weelkes, who also died in 1623 ... Putting the two composers head to head requires a broad musical view, taking in madrigals (mostly Weelkes), consort songs (mostly Byrd), sacred anthems and music for viol consort - a 'garden of musical delights' ... It's a lovely pairing: Fretwork all rasp and twist and tremor, a consort tone of plunging, vertical depth, against the smooth blend and polished horizontal lines of The King's Singers. We get both grit and gloss in the shared pieces".