"Encouraged by the graceful, animated playing of Koopman's period band, Yetzabel Arias Fernandez deploys her straight, slightly mezzo-ish soprano with taste and refinement ... That stalwart Baroque bass Klaus Mertens, clean, slightliy dry on tone, always musical ... All the while the Amsterdam players are a buoyant presence, whether in the energising continuo or the beautifully turned obbligatos".
