Requiem-Strophen
Wolfgang Rihm
Emneord
Minder om
Resurrection of Christ
Heinrich Schütz
Triple concerto
Ludwig van Beethoven
Symphonies no. 3 & 4
Johannes Brahms
Lieder vol. 3 : Songs in American exile 1938-1948
Hanns Eisler
The wind blows : music for choir
Alfred Janson
Matthäus-Passion
Johann Sebastian Bach
Johannespassion
Heinrich Schütz
Wesenheit ab Wesenheit
Nicolai Worsaae (f. 1980)
Weihnachts-Oratorium
Johann Sebastian Bach
Anmeldelser (3)
MusicWeb international
2018 July
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Stuart Sillitoe
2018 July
"Recording of the month: It becomes clear right away that this disc will be a recording of distinction - and so it proves, with a performance that deserves the highest accolade ... The members of RIAS Kammerchor play a minor role but are, when called upon, in excellent form ... As for the playing of the Akademie für Alte Musik Berlin, this is a real bonus. It is easily the best orchestral playing of all the versions I know of these cantatas. All the solos are wonderfully performed ... This is a wonderful recording throughout ... This disc is a must for all devotees of Bach's church music and the cantatas in particular".
BBC music magazine
2018 August
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Terry Blain
2018 August
"Raphael Alpermann's alert yet instinctively unfussy direction knows how to take corners with a suavity that gladdens, and there's some delicious punctation inf the continuo and obligato violin of BWV 32's bass aria".
Fono Forum
2018 August
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Christoph Zimmermann
2018 August
"Die von der Akademie von Alte Musik Berlin eingespielten Kantaten BWV 32, 49 und 57 sind Dialoge von Gott und Seele, wobei sich "Ich geh und suche mit verlangen" überraschende Koketterie erlaubt. Sophie Karthäuser bestrickt mit ihrem leichtfüssigen Sopran, Michael Volle wird barockem Ebenmass erstaunlich gerecht".