Music / klassisk musik 1950 ->

Lamentate


Reviews (7)


Jyllands-posten

d. 24. Oct. 2005

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John Christiansen

d. 24. Oct. 2005


Weekendavisen

d. 25. Nov. 2005

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Peter Johannes Erichsen

d. 25. Nov. 2005


Fono Forum

2021 Februar

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Martin Demmler

2021 Februar

"CD des Monat: Lamentate ... einem zehnsätzigen Opus für Klavier und Orchester ... für eine Virtuosin wie die junge litauische Pianistin Onutė Gražinytė ... eine echte Herausforderung. Abgegrundet wird das Album von einer Reihe kleinerer Werke für oder mit Klavier. Den Ausgangspunkt bildet dabei das kurze Stück "Für Alina", in dem Pärt seinen von ihm selbst so bezeichneten "Tintinnabli-Stil" 1976 erstmals erprobte. In seiner Einfachheit und Eindringlichkeit zeigt dieses dreiminütige Klavierstück die musikalische Welt Pärts gewissermassen in Reinkultur".


BBC music magazine

2020 December

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Michael Beek

2020 December

"Enthralling performances of Pärt's piano works; in Lamentate, Gražinytė is transfixing, her instrument an equal partner that never peeks above the orchestra's parapet of sound. Sublime".


dmt

Årg. 80, nr. 3 (2005/2006)

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Anders Brødsgaard

Årg. 80, nr. 3 (2005/2006)


The gramophone

2018 May

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Pwyll ap Siôn

2018 May

"Despite such sharp contrasts and jagged juxtapositions ... The Bruckner Orchestra und Dennis Russell Davies produce a ... balance performance. This is enhanced by the unobtrusive piano interplations of Maki Namekawa, who provides subtle and nuanced extension to the orchestral palette. The other work included here, These words ... is more subdued though in its own way equally unsettling. Both works perhaps demonstrate how inadequate and inappropriate a term such as 'holy minimalism' can be in describing the music of a composer whose style is far broader and more variegated than is often given credit".


The gramophone

2020 December

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Ivan Moody (f. 1964)

2020 December

"This is a wondrously thought-provoking anthology of Pärt's work ... Lamentate is exactly what it sets out to be, and, in a performance as attuned to its internal resonance as this, is profoundly moving ... Gražinytė's understanding of what Pärt is about is also clearly evident in the remainder of the album ... This performance of Fratres, with cellist Edward King, is one of the best I have ever heard, balancing vertiginously on the tightrope of delicacy and power. The album ends, entirely appropriately, with Pärt's German-language setting of the Lord's Prayer, sung by Gražinytė, who accompanies herself. You cannot buy that kind of innocent beauty but you can, and should, buy this disc".