"Hearing Petrozhitskaya in 'So soon forgotten' highlights her operatic gifts and explains why she has been credited as such a poignant Tatyana ... There is real passion here, together with a relish of Russian vowels and consonants, but there is also ... a capacity for subtle inflection and a softly floated line ... Zuev's timbre attractively blends freshness with maturity, unforced intensity and a compelling emotional resonance".