Cello concerto
Antonín Dvořák
Emneord
Anmeldelser (20)
Classics today
2014
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David Hurwitz
2014
"A performance by a conductor who loves the music, who has genuine ideas about how it should go and what it reveals, who leads a great orchestra in a performance that makes us listen to the piece afresh, and who reaffirms our belief not just in this particular work but in what it means to be a "classic". Manfred Honeck and the Pittsburgh Symphony Orchestra offer just such an interpretation. Honeck's personal touches are numerous and completely winning".
MusicWeb international
2016 May
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Michael Cookson
2016 May
"With such engaging playing of the charming melodies in the opening movement Jansons's Bavarian players supply a fresh outdoor feel to the writing ... In the string orchestra repertoire, Suk's work is a valuable if rather neglected work ... the sound engineers for BR Klassik excel in providing excellent clarity and satisfying balance".
Jyllands-posten
d. 21. juni 2005
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d. 21. juni 2005
Jyllands-posten
d. 27. aug. 2001
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d. 27. aug. 2001
Diapason
2016 juin
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Nicolas Derny
2016 juin
BBC music magazine
2016 August
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Oliver Condy
2016 August
"Somehow I was left wanting more from this orchestra's Dvořák - it's slick, but lacking in oomph. It may just be the recording. The Suk emerges as a charming suite, full of invention and wit".
Fono Forum
2016 August
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Andreas Friesenhagen
2016 August
"Mariss Jansons lässt keine Zweifel an der Statur des Werks aufkommen. Die Sinfonie baut sich hier so überwältigend musikalisch, so klangprächtig, so präzise ausgehört vor dem Hörer auf, dass es eine Freude ist ... Die Streicherserenade von Josef Suk ist eine willkommene Zugabe".
BBC music magazine
2014 December
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Anthony Burton
2014 December
"As conventional performances go, this is an enjoyable one [Symphony], with expressive strings, freshsounding woodwind and poetiv horns, all shaping phrases beautifully under Serebrier's genial control ... It's a bonus to have these delightful, colourful pieces [Legends] as part of the Serebrier cycle".
Diapason
2006 fevrier
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Jean-Claude Hulot
2006 fevrier
"La direction de Mackerras, en bon disciple de Talich, est brillante, énergique tout en demeurant d'une grande souplesse, en revanche, l'orchestre ne possède pas l'inimitable grain sonore de la Philharmonie".
The gramophone
2016 July
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Andrew Farach-Colton
2016 July
"Tempi are relaxed and phrases are lovingly caressed, dabbed with generous applications of rubato ... Another virtue is the sheer beauty of the Bavarian Radio Symphony Orchestra's playing, not only in terms of tonal refinement but internal balance".
The gramophone
2014 Awards
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Rob Cowan (f. 1948)
2014 Awards
"Vurdering: Editor's choice" - "Honeck's interpretation is rich in imagination and the playing of the Pittsburgh Symphony scales the heights ... I would say that Manfred Honeck is one of the few remaining masters of the rostrum whose CDs - and there are all too few of them - are events to cherish".
International record review
2014 November
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Michael Jameson
2014 November
"Manfred Honeck's luxuriant account of Dvořák's Eight symphony with the Pittsburgh Symphony Orchestra is among the most persuasive and exciting, I've heard of this work".
Politiken
d. 4. juni 2000
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d. 4. juni 2000
Jyllands-posten
d. 7. dec. 1999
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d. 7. dec. 1999
Weekendavisen
d. 17. dec. 1999
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d. 17. dec. 1999
Berlingske tidende
d. 26. juli 2000
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d. 26. juli 2000
High fidelity
1999 8
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1999 8
Kristeligt dagblad
d. 10. sep. 2001
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d. 10. sep. 2001
High fidelity
2002 4
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2002 4
International record review
2014 November
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John Warrack
2014 November
"There is, especially, some fine string playing, something which Serebrier is good at evoking from his Bournemouth musicians ... Dvorak's woodwind writing ... is given due prominence, with an excellent flute ... It is a performance with some attractive ideas in it, as well as some oddities ... Serebrier's pairing is ... an attractive assemblage".