Music / klaverkoncerter

Piano concerto no. 23


Reviews (24)


The guardian

d. 22. Mar. 2017

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Andrew Clements (musikanmelder)

d. 22. Mar. 2017

"Sokolov's Rachmaninov playing is immense and, in its mix of supreme fluency and ardent intensity, easily bears comparison with the best versions available on disc. His account of K488 is just as compelling; the opening piano solo in the slow movement is as fine a demonstration as any of how less can mean so much more in a performance".


The guardian

d. 20. Jan. 2013

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Nicholas Kenyon

d. 20. Jan. 2013

"Old-instrument orchestras have flourished in recent years, but the fortepiano has had a harder time ... Here, however, a veteran pianist takes on the challenge of an 18th-century piano and triumphs. With Nikolaus Harnoncourt's inspired and punchy direction, both Concentus Musicus Wien and Rudolf Buchbinder sound as if they are playing full out ... The sonic variety of wind, strings and keyboard almost cinematic in its intensity. More, please".


NDR.de

d. 22. Apr. 2022

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Raliza Nikolov

d. 22. Apr. 2022

"1786 ist sein produktivstes Jahr, Mozart verausgabt sich, er feiert Partys, gibt Spieleabende in seiner Wohnung - vor allem aber komponiert er unendlich viel, bis spät in die Nacht, als wollte er seinem Publikum alles geben, was er in sich hat ... Schlicht und unaufgeregt, geradezu abgeklärt spielen Leif Ove Andsnes und das Mahler Chamber Orchestra das A-Dur-Konzert ... Dieser Mozart funkelt und spricht in vielen Farben - eine Empfehlung für Mozart-Fans und alle, die es werden wollen".


MusicWeb international

2022 November

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Michael Greenhalgh

2022 November

"I wish more CDs were like this with genres refreshingly mixed in concert fashion. Relive what the first audience heard in the Don Giovanni Overture: loud opening chords ... Piano Concerto 23 maintains the optimism ... The thread of angst from the Don Giovanni overture through Adagio of Concerto 23, comes to fulfilment in Symphony 40 ... The Allegro assai finale, as with Don Giovanni, is all fire and brimstone ... Chauvin catches the sheer wildness amid the virtuoso tour-de-force".


Presto classical

d. 10. Mar. 2017

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James Longstaffe

d. 10. Mar. 2017

"Presto disc of the week: About halfway through the first movement [of the Rachmaninov], the performance suddenly kicks into another gear altogether ... Quite honestly, (and please forgive my overeffusiveness!), this performance is so terrifyingly and monumentally phenomenal that mere wrong notes and de-tuned instruments can do nothing to dent its effect!".


MusicWeb international

2017 May

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Marc Bridle

2017 May

"Recording of the month: Grigory Sokolov is always a mesmerising pianist in his own right - almost nothing I have heard from him has been other than revelatory ... If his performance of the Mozart concerto on these discs recalls Gilels and Solomon, then it is Rachmaninov alone who stands as the only point of comparison, or reference, in the Rachmaninov concerto. This is a fabulous and absolutely essential release that demands to be heard".


jcklassisk

d. 30. Apr. 2017

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John Christiansen

d. 30. Apr. 2017

"Der er et godt tempo på i begge koncerter, og det kan Sokolov som få andre gennemføre og alligevel holde præcisionen. Det er forrygende og helt i orden i Rachmaninovs koncert med den uimodståelige åbning. Her er vidunderligt indlevede steder, men i Mozart kan nogle tempi være i overkanten. Og dog: Hør den gribende begyndelse af adagioen".


Politiken

d. 15. May 2017

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Thomas Michelsen

d. 15. May 2017

"Konkurrencen, når det kommer til indspilninger af Rakhmaninovs stormfulde koncerter, er knaldhård, og heller ikke klavermesteren Grigorij Sokolov klarer skærene ... Hos Mozart drømmer Sokolov løs i sin egen verden. Virkelig smukt, bevares ... Rakhmaninov er det, der fungerer bedst. Men ak, efter Sokolov har tæsket livet ud af det sagesløse flygel i 1. sats' solokadence, bliver instrumentet aldrig sig selv igen ... Det er [dog] fascinerende, hvor naturligt geniet Sokolov ånder i Rakhmaninovs følelsesfyldte værk".


Kristeligt dagblad

d. 26. July 2017

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Peter Dürrfeld

d. 26. July 2017

"Den russiske pianist Grigory Sokolov er kendt som en blændende musiker, der har et skær af eksklusiv mystik over sig ... På en cd fra Deutsche Grammophon Gesellschaft kan man opleve ham i to spændende koncerter: Mozarts vidunderlige 23. klaverkoncert ... og Rakhmaninovs storslåede 3. klaverkoncert. Førstnævnte ... er dirigeret af Trevor Pinnock, som dog ikke forekommer mig at være en ideel Mozart-dirigent. Der er mere schwung over orkesterspillet i Rakhmaninov-koncerten ... Sokolov spiller suverænt ved begge lejligheder".


Berlingske tidende

d. 18. Dec. 2017

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Søren Schauser

d. 18. Dec. 2017

"Årets bedste klassiske oplevelser: Giv os Grigory Sokolov i en hvilken som helst musik. Den russiske pianist går aldrig på kompromis og er derfor en sjældenhed ... W.A. Mozarts klaverkoncert nr. 23 og Rachmaninovs tredje bliver som gennemlyst af hans bløde anslag og afslører hemmeligheder i hver eneste takt".


BBC music magazine

2013 June

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Michael Church

2013 June

"The detail of Buchbinder's passagework is translucent ... No trace of vanity or self-projection from either soloist or conductor: exemplary".


Fono Forum

2022 Mai

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Christoph Vratz

2022 Mai

"Nach dem Doppel-Album "Momentum 1785" folgt nun, wenig überraschend "Momentum 1786". Wieder hat Leif Ove Andsnes das Mahler Chamber Orchestra an seiner Seite, um Klavierkonzerte aus diesem Kalenderjahr aufzuführen ... Sein glasklarer Anschlag erscheint hier ... eine Spur wagemutiger, wenn auch nicht bereit für das letzte Risiko. So bewegt sich dieses Mozart-Album zwar auf hohem Niveau und zeugt doch von einer gewissen Ambivalenz".


BBC music magazine

2022 June

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Malcolm Hayes

2022 June

"The idea is excellent - a programme of works completed by Mozart within a single year ... Andsnes's interpretations have a no-nonsense consistency that admirably avoids tendentious point-making; and there's an attractive feeling of ego-free comradeship with his fellow artists in the concerto and chamber performances alike, as also in Christiane Karg's beautifully sung 'Ch'io mi scordi di te?'. What doesn't get conveyed so readily is the sense of near-supernatural creative freedom that makes Mozart's music so special".


Fono Forum

2023 März

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Ingo Harden

2023 März

"Eine CD mit Glanzstücken aus den für Mozart so bedeutenden drei Gattungen Oper, Konzert und Sinfonie ... in fesselnder Interpretation ... Als pianistischen Mitstreiter hat Chauvin Andreas Staier gewinnen können, der den Klavierpart in seiner bekannt souveränen Manier abliefert ... überzeugend stilvoll ... Eine historisierende Alternative auf Referenzniveau".


BBC music magazine

2017 June

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Michael Church

2017 June

"BBC music concerto choice: Sokolov is now on a don't-touch-me pinnacle ... The two concertos here present the zenith of his art. An ideal partnership with the Mahler Chamber Orchestra under Trevor Pinnock's direction performing Mozart highlights the playful grace of Sokolov's playing in the outer movements, and its rapt intensity in the Adagio. And the Rachmaninov goes like the wind ... A seductively habitable sound-world".


Diapason

2017 avril

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Alain Lompech

2017 avril


Fono Forum

2017 Mai

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Gregor Willmes

2017 Mai

"Sein Rachmaninow besitzt, hervorragend mitgetragen vom BBC Philharmonic unter Yan Pascal Tortelier, Grösse und Gewicht".


The gramophone

2013 May

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Richard Wigmore

2013 May

"If you're still sceptical about Mozart concertos on the fortepiano, these performances, occasionally controversial but always brimming with character, could be an ear-opener".


International record review

2013 April

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Michael Jameson

2013 April

"These days it might sound like a cheap cliché to suggest that a new recording of a brace of Mozart piano concertos could cast any novel perspectives upon them, but that this extraordinary new issue does so by the bucket load is beyond dispute. Simply put, these accounts ... afford some of the most arresting and absorbing music-making I've encountered for some time ... Unmissable!".


Opus

2022, nr. 110

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Axel Lindhe

2022, nr. 110

"Leif Ove Andsnes följer upp albumet 'Mozart 1785' med ännu en inspelning i samma stil. Här är det frågan om stycken som tonsättaren komponerade trettio år gammal, 1786, ett år som bland annat såg premiären av Figaros bryllop, men också 23:e och 24:e pianokonserten. Andsnes är en makalöst driven musiker och få pianister kan få Mozarts virtuosa passager att låta så lekande lätt. Andra må ha hittat fler nyanser, men kärleken till Mozart går här inte att ta miste på".


The gramophone

2022 May

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Harriet́ Smith

2022 May

"Editor's choice: I was lucky enough to review the first volume of 'Mozart Momentum' and this second one, centred around 1786. continues the exploration in the most compelling way imaginable. It takes us from large-scale concertos down to the solo piano Rondo, K485, which Andsnes elevates to veritable monodrama with his sensitivity to its invention ... Time and again Andsnes had me reaching for the score to confirm things I'd never noticed before ... Some of the finest Mozart-playing on the planet".


The gramophone

2022 November

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David Threasher

2022 November

"Staier's approach is of the interventionist type, playing in introductions and tuttis and ornamenting freely. Too freely, perhaps ... rather like a garrulous dinner guest who dominates conversation ... That's a shame, as the G minor Symphony receives a truly involving reading, with plenty of imatinative phrasing and sufficient focus on the winds - the all-important clarinets and horns especially".


The gramophone

2017 May

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Jed Distler

2017 May

"Sokolov fans among live broadcast collectors ... have long considered the pianist's 1995 Proms performance of the Rachmaninov Third a holy grail, and with good reason. Once past the deceptively sedate opening theme, Sokolov nonchalantly flies, taking the vertiginous passagework in suave stride in the manner of the composer himself and the late Zoltan Kocsis, yet accounting for plenty of buried motifs and inner voices".


The gramophone

2006 December

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Richard Wigmore

2006 December

"Vurdering: Editor's choice" - "Imogen Cooper's strongly projected, stylistically sensitive performance, recorded in the glowing acoustic of the Sage, Gateshead, stands up even alongside such distinguished modern versions as Uchida, Brendel and Schiff ... Anyone ... will find Cooper and the Northern Sinfonia amongt the subtlest, liveliest and most probing of Mozartians".