Music / klassiske symfonier

Symphony no. 3


Reviews (28)


AllMusic

2011

By

By

Blair Sanderson

2011

"Noseda and the BBC Philharmonic put their best efforts into the Third, which shows Rachmaninov's richest orchestration and most sophisticated handling of symphonic form. In terms of sound, this performance really jumps to the fore with its vivid sonorities and exceptional reproduction ...This is the work listeners should play first, for the rewards are immediate, and the Caprice bohémien and Prince Rostislav can be taken or left without qualms".


AllMusic

2011

By

By

Blair Sanderson

2011

"This lean and muscular piece [Symfoni nr. 3] deserves much greater exposure, and Petrenko's sympathetic interpretation is an excellent one to advance its cause. But if it takes the easy appeal of the Vocalise and the novelty of the Caprice to bring new listeners to hear the Third, so be it. EMI's reproduction is rich, warm, and closely detailed, and the orchestra has astonishingly realistic presence in the vibrant acoustic space".


MusicWeb international

2016 March

By

By

Ian Lace

2016 March

"This Third Symphony is for the sweet-toothed. There are alternative versions for the competition is quite wide now. The songs are a revelation and worth the outlay for this new CD alone".


MusicWeb international

2022 November

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By

Ralph Moore (musikanmelder)

2022 November

"Recommended: Earlier this year ... I gave the orchestral recital of music by Strauss, Korngold and Schreker by John Wilson and the Sinfonia of London very strong recommendations ... This new issue of three works by Rachmaninov is of the same high quality. Especially impressive is their account of The Isle of the Dead ... Both for sound engineering and interpretative excellence this is a recording to stand alongside my other favourites from Petrenko and the Royal Liverpool Philharmonic for both the Isle of the Dead and the symphony, and Pletnev and the Russian National Orchestra for the symphony coupled with the Symphonic Dances".


Presto classical

d. 1. Nov. 2022

By

By

Katherine Cooper

d. 1. Nov. 2022

"Editor's choice - October 2022: it was a typically canny move of Wilson to follow his splendid Hollywood Soundstage with Rachmaninoff's Symphony No. 3, premiered in Philadelphia just a couple of years before the earliest films featured on that album: the SoL's distinctive, swooning vintage string sound pays equally rich dividends here, though in what has to be one of the creepiest accounts of Isle of the Dead on record the same players summon such other-worldly glassiness that you'd swear theremins and/or Novachords were involved!".


Politiken

d. 3. Mar. 2012

By

By

Thomas Michelsen

d. 3. Mar. 2012

"I Rakhmaninovs store 3. symfoni mærker man symfonigenrens sidste varme solnedgangsstråler, mens russeren giver musikken et forrygende episk-dramatisk swoop og swoosh. Det lyder som storladen, fuldfed musik til en film, man ikke har set endnu, og i Rakhmaninovs tidlige Caprice bohémien er dirigentens overblik og orkestrets svævende præcision imponerende. Megahittet Vokalise fødes af skrøbelighed og svøbes i mildhed".


Fono Forum

2015 November

By

By

Thomas Schulz (f. 1960)

2015 November

"Es fällt zunächst die hohe Qualität des Orchesters auf, das vor allem in den Holzbläsern glänzend besetzt ist. Die ungemein brillante Tontechnik bildet auch noch die kleinsten Verästelungen des instrumentalen Geflechts plastisch ab".


Diapason

2016 juin

By

By

Jean-Pierre Rousseau

2016 juin


BBC music magazine

2016 April

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By

David Nice

2016 April

"If you think of Rachamninov's Third Symphony as an orchestral showpiece which occasionally falters, Vladimir Jurowski's interpretation may change your mind".


BBC music magazine

2012 February

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By

Calum MacDonald

2012 February

"This is surely the dullest Rachmaninov Third Symphony I've heard ... The RLPO's playing is excellent as always, but the sound is starved of opulence, and no gesture seems to register as it should. There's no impact, no flash of fire".


BBC music magazine

2022 Christmas

By

By

Daniel Jaffé

2022 Christmas

"Here are precisely the three works that Rachmaninov-the-conductor committed to disc. Inevitably one is tempted to make comparisons - but an album should stay on its own terms. The new recording starts well with the moodily atmospheric 'Isle of the Dead', and the 'Vocalise' taken fairly swiftly, though John Wilson adds an artful ebb and flow to the tempo. Yet, despite the orchestra's admirable ensemble and immaculate playing, hearing these beautifully recorded performances left me unmoved. The reason why became clear with the Symphony".


Diapason

2022 decembre

By

By

Christophe Huss

2022 decembre


BBC music magazine

2015 December

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By

Daniel Jaffé

2015 December

"Gergiev and the LSO capture the score's expressive beauty, and also the sense of its transience as chill winter encroaches ... The slower tempo is truly magical ... Balakirev's Russia ... is an apt coupling with its similarly tender lyricism and sensitive use of orchestral colour".


Diapason

2015 decembre

By

By

Jean-Pierre Rousseau

2015 decembre


International record review

2011 September

By

By

Mark Pullinger

2011 September

"The strings of the BBC Philharmonic may not be able to rival the richness og the Philadelphia strings under the composer ... but they play the big theme in the exposition lovingly".


High fidelity

2003 2

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2003 2


BBC music magazine

2016 January

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By

Daniel Jaffé

2016 January

"Symphonic Dances gets the very best performance, both lithe and lively, with a constant engagement in its febrile character ... Alas, Järvi misses the sultry languor of the early tone poem The Rock ... Nor is he particularly successful with the Third Symphony".


The gramophone

2015 Awards

By

By

David Gutman

2015 Awards

"Paavo Järvi is no spped merchant, and some might find his performance comparatively tame even if his technical control and formidable sense of logic are never in doubt ... I will certainly be revisiting the fine detailing of Järvi's individualistic Parisian winds, never indulged at the expense og forward momentum".


The gramophone

2016 March

By

By

David Gutman

2016 March

"Finely played and boosting an impressive Concertgebouw-like bloom ... The coupling may also divide opinion ... With or without a little help from the mixing desk, Jurowski ensures that the vocal line is never obscured".


Berlingske tidende

d. 7. July 1999

By

d. 7. July 1999


BBC music magazine

2009 February

By

By

Calum MacDonald

2009 February

"These are two marvellous orchestral display-pieces, often considered structually flawed, are both played here for the masterpieces they are ... a treasurable disc".


The gramophone

2009 March

By

By

Andrew Achenbach

2009 March

"Vänskä ant the LPO are firing on all cylinders in this invigorating live pairing ... S strongly recommended issue".


International record review

2012 March

By

By

Peter J. Rabinowitz

2012 March

"By burying the woodwind counterpoint, Petrenko turns the music's aching beauty into mere prettiness. All in all, a disappointment".


Opus

2023, nr. 115

By

By

Axel Lindhe

2023, nr. 115

"Nya Rachmaninov-utgåvan är den första i vad som är tänkt att bli en serie med den ryske senromantikern. Huvudnumret är tredje symfonin från 1936 där tonsättaren håller känslorna i stramare tyglar än i den andra ... Wilson bjuder på oerhört flott spel från sin elitorkester och det finns inte mycket att klaga på".


The gramophone

2022 November

By

By

Marina Frolova-Walker

2022 November

"I have never heard Rachmaninov's imaginative scoring here [in The Isle of the Dead] brought out so vividly, allowing us to appreciate the powerful pictorial imagination of the composer ... It is probably difficult to make such a splash with the Third Symphony but Wilson's approach pays off here too".


The gramophone

2015 Awards

By

By

David Gutman

2015 Awards

"Valery Gergiev's view is dark and stormy, his relatively slow pasing undercut by so many lugubrious inflections that piece loses its overall shape".


The gramophone

2012 May

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By

Jeremy Nicholas

2012 May

"Lan Shui and his singaporean players play their hearts out, without matching the intensity of the composer's 1939 account of the finale, and bring an apt autumnal glow to the lovely second movement in BIS's ideal acoustic".


BBC music magazine

2012 May

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By

Calum MacDonald

2012 May

"Yevgeny Sudbin, clearly on top form, treats Rachmaninov's variations like a set of diabolic virtuoso etudes, displaying transcendental virtuosity and kaleidoscopic keyboard colour ... I was less impressed by conductor Lan Shui's interpretation of the epic and elegiac Third Symphony".