"Classical album of the week: The great German song cycles of the first half of the 20th century can be counted on the fingers of one hand, and Hindemith's Das Marienleben certainly belongs among them, alongside Mahler's Kindertoten- and Rückert-Lieder, Schoenberg's Das Buch der Hängenden Gärten, and Hanns Eisler's Hollywood Songbook. Yet Marienleben is probably the least often performed of all of them ... As a whole the power of the cycle is unmistakable, and every morsel of it is thrillingly conveyed by Banse and Helmchen ... Hindemith's vocal writing makes enormous demands ... but Banse makes light of them, whether it's the dramatic intensity and almost mezzo-like richness required in some of the songs or the shining, soaring lyricism of others. Helmchen makes total sense of the piano accompaniments too, whether naggingly motoric, fiercely dissonant or neoclassically correct. It is a glorious achievement all round".