Winterreise
Franz Schubert
Emneord
Minder om
Nemeton
Matthias Pintscher
Symphony no. 9
Gustav Mahler
Das Lied von der Erde
Gustav Mahler
Vier letzte Lieder
Richard Strauss
Lohengrin
Richard Wagner
Matthäus-Passion
Johann Sebastian Bach
Lieder on record & legendary Lied cycle recordings : Lieder in historischen Aufnahmen 1901-1951
Robert Schumann
Ein deutsches Requiem
Johannes Brahms
Symphony no. 5
Ludwig van Beethoven
Anmeldelser (10)
classicalsource.com
2018 April
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Colin Anderson
2018 April
"Celibidache: musically-probing, acoustic-scientific, cosmos-related, mystical, demanding of much rehearsal time, demanding of the musicians, uncompromising in his approach. This Mahler/Strauss coupling is new ... It's an apt if sombre pairing that is musically compelling and enlightening ... Brigitte Fassbaender was another distinguished musician prepared to pool resources with the Romanian master, to mellow fruitfulness in the case of Mahler's Kindertotenlieder. Don't expect 'beautiful singing' but do expect a deep feeling for the words ... and a nuanced expression ... As for Richard Strauss's Death and Transfiguration, this expansive (thirty-minute) performance is thrilling and spine-tingling".
Jyllands-posten
d. 11. dec. 2003
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d. 11. dec. 2003
Jyllands-posten
d. 15. okt. 2001
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d. 15. okt. 2001
Jyllands-posten
d. 29. sep. 2003
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d. 29. sep. 2003
Jyllands-posten
d. 21. jan. 2002
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d. 21. jan. 2002
BBC music magazine
2011 September
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Hilary Finch
2011 September
"Karnéus sings with intensity and impassionad vibrato rather than with warmth and tenderness - which will be the taste of some, and not of others".
Politiken
d. 26. feb. 2004
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d. 26. feb. 2004
International record review
2011 September
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Piers Burton-Page
2011 September
"Katarina Karnéus is at her best in one or two obvious places, and one ot two less obvious ones too, though I am not sure she is quite consistent enough to be a top choice in this most well-tilled of soil".
The gramophone
2011 October
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Peter Quantrill
2011 October
"Karnéus is a secure and heartfelt interpreter, but Janet Baker and Christine Schäfer ... find a few more gentle notes in Mahler's bouquet of sorrow".
The gramophone
2018 March
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Hugo Shirley
2018 March
"Editor's choice: Fassbaender's concentration is compelling; the voice's characteristic richness and the inherent intelligence and emotional engagement of the mezzo's approach only gain in power by the remarkable steadiness of the singing, by an apparent attempt to maintain something like a stiff upper lip ... The playing of the Munich Philharmonic throughout is a model of concentrated, sensitive support ... The Strauss is intriguing ... but it's Fassbaender's extraordinary Mahler that makes this an essential purchase".