Winterreise
Franz Schubert
Hent dine bestillinger på dit foretrukne bibliotek
Sammensæt din søgning
Afgræns yderligere
Musik / klaver solo
Winterreise
Franz Schubert
Schubertiade : Du holde kunst, ich danke dir
Franz Schubert
The 9 symphonies
Ludwig van Beethoven
Symphony no. 5
Gustav Mahler
Senfl
Ludwig Senfl
The Thomas Jensen legacy, volume 3
Johannes Brahms
Liszt
Franz Liszt
Repriser
Pelle Gudmundsen-Holmgreen
Cello concerto
Antonín Dvořák
Requiem
Wolfgang Amadeus Mozart
2009
af
af
James Leonard
2009
"Pianist Eric le Sage's series of Schumann recordings called Klavierwerke & Kammermusik is a marvel. Not only is le Sage an ideal Schumann player, but he is an ideal Schumann programmer ... anyone even remotely interested in Schumann's music is urged to try this two-disc set".
d. 22. nov. 2013
af
af
John Christiansen
d. 22. nov. 2013
"De to komponister klæder hinanden, modsvarer hinanden og bekræfter alligevel hinanden. Også derfor er denne cd på sin måde mere værdifuld end de fleste cd'er med musik af en enkelt komponist. Personligt er jeg mest overvældet af Gislinges indlevede måde at spille de tre Nørgård-værker på. Musikkens rigdom, matematisk som sanseligt, åbner sig med overvældende naturlighed. Denne cd er denne omgangs fund".
2023
af
af
Jed Distler
2023
"The stunning variety of nuance, voicing, and emphasis that Benjamin Grosvenor brings to each of Kreisleriana's eight movements keeps this familiar music sounding continuously fresh, alive, and meaningful ... Grosvenor's awesome workmanship and Schumann's restless creativity merge as one. In short, this is a reference-worthy Kreisleriana ... Grosvenor's well-deserved reputation for transcendent pianism and insightful musicianship is thoroughly borne out by this excellently engineered and not-to-be-missed release".
d. 23. apr. 2023
af
af
Martin Blaumeiser
d. 23. apr. 2023
"Klassik Heute Empfehlung: Nach den aufwühlenden Kreisleriana sollten die übrigen Stücke eher lyrischen Charakter haben. Dies zelebriert Grosvenor sehr konzentriert ... Pianistisch und mit höchst kontrollierter Ausdruckskraft beweist Grosvenor erneut, dass er ungemein viel zu sagen hat und die Hörer eineinhalb Stunden musikalisch zu fesseln vermag, und dies - ungeachtet berechtigter Kritik am Detail - auf Weltklasseniveau".
d. 15. juni 2007
af
af
Jed Distler
d. 15. juni 2007
"Here the amazing point and accuracy of Schuch's repeated notes makes other pianists sound relatively thick and earthbound. An awe-inspiring release, not to be missed".
2024 January
af
af
John Quinn (musikanmelder)
2024 January
"This intelligently devised programme consists of music by Robert Schumann and Brahms but, as the album's title suggests, Clara Schumann is a huge background presence ... Hélène Grimaud gives a fine account of Kreisleriana ... This is a most enjoyable performance of these character studies. I enjoyed Hélène Grimaud's reading of the three autumnal Intermezzi which Brahms composed just a few years before he died ... Grimaud seems entirely as one with the music ... For the set of nine Lieder und Gesänge Hélène Grimaud is joined by the German-Romanian baritone Konstantin Krimmel ... The partnership between Grimaud and Krimmel is strong and effective ... Krimmel possesses a fine voice which is well suited to those songs ... This is a thoughtfully conceived and excellently executed programme".
2013 November
af
af
John France
2013 November
"This beautiful, intimate, rendering has allowed me to see the music in a different light. It has not displaced the Horowitz but it has enlarged my understanding of this complex sequence ... The recording is ideal. Much of this music is warm, and the engineers have reflected this disposition in the chosen ambience ... The programming of Kreisleriana and Nørgård's three pieces was a happy choice".
d. 17. mar. 2023
af
af
Katherine Cooper
d. 17. mar. 2023
"Recording of the week: Listening to Grosvenor's shape-shifting interpretation of Kreisleriana, it's easy to see why Clara found elements of the work disconcerting, though from the opening bars it's impossible to resist falling under its uncanny spell ... Grosvenor's immaculately-judged rubato (a constant throughout the programme) is an especial pleasure in Clara's set of variations, the theme subtly transformed with every appearance - it's as if the music is being illuminated from a slightly different perspective at each turn".
d. 16. mar. 2011
af
af
Jakob Holm
d. 16. mar. 2011
d. 16. nov. 2013
af
af
Jens Povlsen
d. 16. nov. 2013
"Katrine Gislinge har blikket rettet mod både fortiden og nutiden på sit nye album med Schumanns "Kreisleriana" og tre klaverstykker af Per Nørgård. Sammensætningen fejler ikke noget, men Schumanns otte ærkeromantiske, klangligt udfordrende satser leverer hun uden at overbevise ... Det er simpelthen for løst i formen, for iltfattigt og svagt optegnet".
d. 12. feb. 2014
af
af
Peter Dürrfeld
d. 12. feb. 2014
"En ny cd fra pianisten Katrine Gislinges hænder er nogenlunde ligeligt fordelt mellem Robert Schumann og Per Nørgaard, og den kobling er ingenlunde tosset. Først får vi Schumanns fængslende klaversuite Kreisleriana ... fornemt spillet af Gislinge, der efter eget udsagn har fundet en slags fællesskab mellem Schumanns fantasier og Nørgårds betydeligt mere asketiske musik ... Nørgårds musik bliver levende også for lyttere, som kan være lidt nervøse for ny musik. Schumann og Nørgård klæder hinanden - en indspilning, der virkelig har noget på hjerte".
d. 26. feb. 2015
af
af
Thomas Michelsen
d. 26. feb. 2015
"Goerner viser fingerfærdighederne i Schumanns Symfoniske etuder og i Kreisleriana ... Men han viser også et åndsslægtskab med selve kernen i musikken ... Nelson Goerner lever sig ind i musikken, men fyrer den også af".
d. 23. juni 2002
af
d. 23. juni 2002
2023 November
af
af
Michael Church
2023 November
"Piano specialists may regard the addition of a baritone voice on this album as an intrusion, but actually this performance of Brahms's Lieder und Gesänge is what makes it special ... Krimmel's light and flexible baritone is well suited to the nine songs in question, in that he brings out the subtlety of the thoughts and images ... Grimaud herself is very much on form with this album ... Under her hands all the pleasures of this portmanteau work emerge vividly".
2023, nr. 71
af
af
Esben Tange (f. 1961)
2023, nr. 71
"Indholdet af musikken, som spinder omkring Robert Schumanns og Johannes Brahms kærlighed til Clara Schumann, er ... længselstoner, som rimer på hjerte og smerte. De tre værker giver et indblik i tre faser af kærligheden, som den udspillede sig omkring Clara, fra hun var purung og frem til alderdommen ... Og med et klaverspil hvor Hélène Grimaud betoner klarhed og enkelhed fremfor varme og melankoli, er det en fortolkning af den sene Brahms, hvor musikken bliver oppe i lyset i et køligt smukt skær ... Af samme grund er det snarere de drømmende skønhedssøgende rolige afsnit af 'Kreisleriana', der står stærkest frem ... I Brahms 'Lieder und Gesánge' ... udfolder Krimmel et flot register med en mørk stemme fuld af grå gnister og et passioneret nærvær".
2023 Oktober
af
af
Manuel Brug
2023 Oktober
2009 Mai
af
af
Gregor Willmes
2009 Mai
"Er legt eine Handwerklich mqkellose, natürlich fliessende, im Vergleich mit den grossen Deutungen ... aber zu wenig persönliche Betrachtung vor ... Prächtiger räumlicher Flügelklang".
2023 Mai
af
af
Christoph Vratz
2023 Mai
"Bei seinem bislang siebten Album taucht der britische Pianist Benjamin Grosvenor tief in die deutsche Romantik ein ... Er bewegt sich extrem sicher auf diesem Gelände, sorgfältig austariert wirkt diese Klavierspiel, in Phrasierung, Tempi, Akzenten, Linienformung".
2023 May
af
af
Rebecca Franks
2023 May
"Following on from his solo Liszt album, pianist Benjamin Grosvenor continues his tour of the Romantic piano repertoire with a recital mostly dedicated to Robert and Clara Schumann. It's a sizeable programme - nearly 90 minutes ... There's a marble-statue nobility to his playing, a sense of his powerful technique being harnessed to expression, and a seriousness-of-purpose ... To end we hear three of Brahms's Intermezzos: elegiac, bittersweet lullabies of sorrow. These rich performances suggest Brahms is where Grosvenor should head next".
2023, nr. 69
af
af
Mikael Garnæs
2023, nr. 69
"Det er et meget smukt, poetisk klaverspil som den 30-årige Benjamin Grosvenor præsterer. Vi føres ind i en verden af sarte nuancer, et forfinet anslag og en medlevende og meddigtende tilgang til musikken ... Men teknisk perfekt som hans klaverspil er, er det ikke det, som står tilbage efter at have lyttet til denne cd med ærkeromantisk musik af Schumann og Brahms. Det er poesien i musikken, den følsommmer lyrik, som har ordet, og her er Grosvenor virkelig spændende at lytte til ... Flyglet bliver til ren poesi. Lyt til den!".
2015 March
af
af
Jessica Duchen
2015 March
"Vurdering: Recording of the month - Vurdering: BBC music choice" - "To hear Nelson Goerner navigating Schumann's variety of textures with so much delicacy, good sense, beauty of tone and rapt atmospheres is a treat indeed ... The intelligence, spirit and vividness of his playing is sheer delight. Recorded sound throughout the disc is resonant, clear and warm".
2023 October
af
af
Patrick Rucker
2023 October
"'Hélène Grimaud's new DG release, For Clara', is a bouquet of works by the two composers closest to Clara Wieck Schumann: her husband Robert and their joint protegé, Johannes Brahms ... The German baritone Konstantin Krimmel [is] her superb collaborator in the nine songs of Brahms's Op 12 ... Together Krimmel and Grimaud create exquisitely characterised vignettes, touching on love, abandonment, devotion and disillusion, perfectly proportioned and keenly expressive ... This is musicmaking on a very high level".
d. 20. okt. 2003
af
d. 20. okt. 2003
2014 March
af
af
David Fanning
2014 March
"Katrine Gislinge's rendition of Kreisleriana is full of fantasy, poetry, and ebb and flow ... While her range of colour, attack and nuance, and her general articulation and transparency are all of a high order, they are hardly world-beating ... Not top-drawer Nørgård, then, and as in the Schumann, it's possible to imagine even more seductive colours in performance. But an intriguing and welcome disc nonetheless".
d. 3. juni 2002
af
d. 3. juni 2002
2002 7
af
2002 7
d. 22. juli 2002
af
d. 22. juli 2002
2023 April
af
af
Peter J. Rabinowitz
2023 April
"Editor's choice: Grosvenor is rightly celebrated for finesse in Romantic music's more private moments, and that sensitivity is plentiful here ... There are plenty of worthy Kreislerianas out there, from Argerich's to Vogt's. Grosvenor's can hold its own against them ... All in all, this is an album that reaffirms Grosvenor's status as one of the most accomplished pianists around".
2023 mai
af
af
Bertrand Boissard
2023 mai
2006 June
af
af
Bryce Morrison
2006 June
"Herbert Schuch is a 27-year-old Romanian whose recording debut is of an intimidating mastery and stylistic assurance. Wherever you turn in the intricate mosaic of Schumann’s Kreisleriana you will hear playing impossible to fault and easy to praise ... if there is an occasional suspicion that one is listening to an overly calculating if superlative pianist rather than a more spontaneous and acute artist, this is never less than a magnificent album ".
2015 January
af
af
Harriet Smith
2015 January
"Beauty of sound is uppermost in the theme, which perhaps dreams a little too freely. In general he is most convincing in the faster movements ... But I'd question whether the eighth etude is truly sempre marcatissimo, while the ninth doesn't have the sense of being on a knife-edge".
2015 February
af
af
Charles Timbrell
2015 February
"I have been impressed with Nelson Goerner's recordings of Chopin and Debussy, and the present disc is a welcome addition to his discography ... Overall, Goerner's is one of the better versions of Kreisleriana, but my preference may always be Vladimir Horowitz's magical first recording of it ... The disc ends with a terrific performance of the Toccata ... It is a most impressive send-off".