"Melodies alter incrementally, rather than through big chord or key changes. At its best, on the eight-minute Before the Dawn, that means songs like a fever dream, reveries that gain impact from the repetition and the extension of a simple idea beyond its logical endpoint. But it also makes Hypnophobia a bright, shiny surface without the rough points that provide traction. It's pleasurable, but it's hard not think that a little varying of the approach might pay dividends".