Matthäus-Passion
Johann Sebastian Bach
Emneord
Minder om
Actus tragicus : Bach cantatas BWV 106, 150, 131, 12
Johann Sebastian Bach
The 9 symphonies
Ludwig van Beethoven
Reformationsmesse : Dresden, 1617
Heinrich Schütz
Symphonies no. 3 & 4
Johannes Brahms
The other vespers : Monteverdi
I Fagiolini
Das Leiden Jesu : Passion cantatas IV
Christoph Graupner
Requiem
Wolfgang Amadeus Mozart
Messiah
Georg Friedrich Händel
Symphonie Nr. 7
Gustav Mahler
Anmeldelser (7)
Presto classical
d. 5. apr. 2019
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David Smith (musikanmelder)
d. 5. apr. 2019
"Recording of the week: After the scholars have put their pens down, the crucial question is of course whether the result is a musically satisfying response to the text. Could there ever be any doubt? Savall is no dusty academic disconnected from musical reality; he knows exactly what he's doing, building thoughtfully on others' work to create something coherent and convincing, and his team of musicians communicate his intention magnificently".
BBC music magazine
2019 July
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George Hall (musikanmelder)
2019 July
"Here is a live account ... of a reconstruction by Alexander Grychtolik and conductor Jordi Savall ... The result is broadly convincing. David Szigetvári's Evangelist articulates text intelligently. Marta Mathéu's pure soprano and Raffaele Pé's suave countertenor are both assets ... The orchestra offers an apt selection of colours, the choir is impressive and there's a strong showing from the children's choir. Savall himself maintains a keen sense of forward motion".
Fono Forum
2019 Juli
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Thomas Otto
2019 Juli
"Unter der Leitung von Jordi Savall spielt Le Concert des Nations beherzt auf. Der Chor ... Sein Klang ist frisch und keineswegs ein akademischer, sondern eher natürlicher, beinahe volkstümlicher, was den sehr emotionalen Chorälen der Passion durchaus entspricht".
Diapason
2019 juin
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Gaëtan Naulleau
2019 juin
Berlingske tidende
d. 26. apr. 2000
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d. 26. apr. 2000
Politiken
d. 7. maj 2000
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d. 7. maj 2000
The gramophone
2019 June
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David Vickers
2019 June
"The choir of 25 (including children on the upper parts) and Le Concert des Nations produce a vivid performance in which emotional directness is paramount. David Szigetvári is a capable Evangelist ... although Konstantin Wolff's gritty Christus is closer to a roaring Wotan than the compassionate redeemer of the world".