Weihnachts-Oratorium
Johann Sebastian Bach
Emneord
Minder om
Resurrection of Christ
Heinrich Schütz
Messe in h-Moll : BWV 232
Johann Sebastian Bach
Die sieben Worte Jesu am Kreuz
Christoph Graupner
Johannespassion
Heinrich Schütz
Majesté
Michel-Richard de Lalande
Tenebrae responsories
Tomás Luis de Victoria
Passio
Arvo Pärt
Messiah
Georg Friedrich Händel
Seasons
Antonio Vivaldi
Anmeldelser (18)
MusicWeb international
2014 April
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John Quinn (musikanmelder)
2014 April
"Vurdering: Recording of the month" - "What an exuberant, rich and dancing paean of praise and thanksgiving this is in the hands of Gardiner and his musicians ... This is an outstanding addition to Gardiner's Bach discography".
Politiken
d. 17. apr. 2014
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Thomas Michelsen
d. 17. apr. 2014
"Ligesom de kantater, der udgør Bachs Juleoratorium, er hans mindre kendte påskeoratorium en slags kirkekantate skabt ved genbrug af verdslig musik. Det er den sene 40-minutters version, Bach-eksperten Gardiner har nyindspillet. Hans kor og solister er fabelagtige".
Politiken
d. 15. apr. 2001
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d. 15. apr. 2001
Kristeligt dagblad
d. 31. aug. 2005
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d. 31. aug. 2005
Diapason
2014 mai
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Jean-Luc Macia
2014 mai
BBC music magazine
2014 June
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Paul Riley (musikanmelder)
2014 June
"For all the Pascal jubilation of the Oratorio, it's the simple, unaffected solace of the Actus Tragicus, however, that steals the show ... Gardiner slims down his forces from the 23 voices of the Oratorio down to a dozen. His tempos are beautifully interrelated so that everything leads to (and from) the central pause that consigns the mystery of death to utter silence".
BBC music magazine
2011 May
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George Pratt
2011 May
"A new spatial and tonal experience from van Veldhoven".
Diapason
2015 juillet-août
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Jean-Luc Macia
2015 juillet-août
Klassisk
2006, nr. 1
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Anders Brødsgaard
2006, nr. 1
BBC music magazine
2006 April
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Nicholas Anderson
2006 April
"Performances are stylish, graceful and very well sung and pleyaed. That is, with the exception of countertenor Patrick van Goethem whose pinched and acid vocal timbre ill blends with that of the remaining soloists".
Fono Forum
2006 August
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Matthias Hengelbrock
2006 August
"Stimmlich passen die vier Solisten gut zueinander ... gleichwohl ist Suzuki im Vergleich zu seinen Einspielungen der beiden Passionen und des Weihnachtsoratoriums noch einmal ein Zuwachs an Homogenität und Konzentration gelungen".
Fono Forum
2008 Mai
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Werner Pfister
2008 Mai
"Auch Heute noch eine durchaus hörenswerte Aufnahme, obwohl sich seither in Sachen Bach interpretationsgeschichtlich ja einiges bewegt hat".
Jyllands-posten
d. 13. apr. 1999
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d. 13. apr. 1999
Politiken
d. 16. apr. 2000
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d. 16. apr. 2000
The gramophone
2014 June
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Jonathan Freeman-Attwood
2014 June
""[In Actus Tragicus] Gardiner toys delectably with Bach's meticulously textured dissonances ... The Easter Oratorio could not provide a greater contrast ... There is the customary razzle and dazzle from the virtuoso Monteverdi Choir and English Baroque Soloists ... Gardiner is clearly convinced of its merits and therefore you'll find no greater advocate".
The gramophone
2011 May
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David Vickers
2011 May
"Vurdering: G (Gramophone recommends)" - "The excellent declamation, impeccable shaping of contrapuntal lines and flawless tuning of the Retrospect choir comes to the fore in the festive opening and closing choruses".
The gramophone
2012 July
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Jonathan Freeman-Attwood
2012 July
"The experienced Michael Chance dances through his "Saget" with youthful discipleship. In each movement, Brüggen allows the Orchestra of the Eighteenth Century to play with warmth and length in a most distinguished new reading".
The gramophone
2006 June
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Jonathan Freeman-Attwood
2006 June
"Overall the latest Bach Collegium Japan release fails to sound quite special enough. There is something too calculatingly routine in the elegant but dangerously long aria of the Easter piece".