"Suzuki and his singers are at ease with this carefree Bach, introducing the Quodlibet with background babble, and singing with exaggerated nasal accents ... [Joanne Lunn's] lyrical, sustained aria in BWV36c is glorious. Two further high points in BWV36c are a rustic bass dance-aria and the admirable oboes d'amore and strings of the opening choral movement".
