Stabat mater

"Dorothee Mields reveals herself here as an artist of the first order, broadening out from the Baroque repertory for which she is best known. Her instrument is gorgeous: lustrous, precise, and feather-light. Her musicianship is fierce as she digs into the expression of each word, brings ceaseless variety to soft dynamics and gives every phrase grace ... The Salagon Quartet, joined by Miriam Shalinsky on double bass, brings a deeply interiorised reading that complements Mields's execution ... That's great music-making".