"Recording of the week: It can be hard to make sense of [the Fifteenth Symphony], but Nelsons manages it wonderfully, enjoying the cheeky, incongruous nature of the Rossini quotations but also weaving in the Wagnerian references in an extremely moving way ... In the Chamber Symphony, Op. 110a there's an extraordinary range of colours, plus immaculate playing from the Boston strings. Equally exceptional is the Fourteenth Symphony, where the first movement shows off the rich, sonorous sound of the double basses".