Musik / klassiske symfonier

Totenfeier


Anmeldelser (7)


Politiken

d. 20. okt. 2009

af

af

Henrik Friis (f. 1978)

d. 20. okt. 2009

"Et noget specielt koncept, der henvender sig til Mahlers mest dedikerede fans, er Frankfurts symfonikeres samling af vidt forskellige kasserede Mahlersatser til en firsatset cd. Som om det var en symfoni ... Forvirret? Ja, og sådan er det også med musikken. Selv om Paavo Järvis fortolkninger er fokuserede og energiske, er det en flad fornemmelse at spole rundt i Mahlers højst forskellige temperamenter for så at ende i Brittens lille enkle dans".


Jyllands-posten

d. 22. juni 2009

af

af

John Christiansen

d. 22. juni 2009

"Ideen er god. Paavo Järvi og Frankfurts Radiosymfoniorkester har samlet fire satser af Mahler, som alle har haft en egen lidt mærkelig skæbne ... Brittens spændende arrangement af andensatsen, "Hvad de vilde blomster fortalte mig", fra Mahlers tredje symfoni er her finalen i den "ny" symfoni sammensat af fire uafhængige satser. Virkningen er overaskende positiv".


BBC music magazine

2013 January

af

af

David Nice

2013 January

"Jurowski brings Mahler's tragic worlds - both cosmic and human - alive with incomparable vividness ... Details leaps out in the fine balance of the Wayfarer Songs, too. Sarah Connolly holds her own against the orchestra's briefly raised voice here ... but finds all the introspection Mahler could wish for as bright morning ebbs away in the second song".


Fono Forum

2013 Januar

af

af

Michael Kube

2013 Januar

"Der vorliegende Konzertmitschnitt ... gehört jedenfalls zu den wirklich interessanten Einspielungen ... weil Wladimir Jurowski die Qualitäten des Orchesters zu nutzen versteht ... Hier [Lieder] weiss auch Sarah Connolly mit ihrer charakteristisch dunkel timbrierten Stimme und einer bewusst gestaltenden, textverständlichen Umsetzung vollauf zu überseugen".


International record review

2009 July/August

af

af

Robert Matthew-Walker

2009 July/August

"For the dedicated Mahlerian, this disc is, in most respects, the answer to a prayer. For the serious music lover also, it is one that reveals fresh insights into the composer's crativity. It therefore is a valuable disc, which coincidentally renges over Mahler's evolving process during 25 years ... The performance is, in the main, a notably fine".


International record review

2012 December

af

af

Nigel Simeone

2012 December

"To hear Mahler on this recording played by period instruments is an engrossing experience ... The sound of even so vast an array of period instruments in full cry is slimmer than a modern orchestra but it has a clarity and visceral impact in this live recording that is startlingly effective ... [Connolly] is very fine indeed, sailing effortlessly into her upper register but always with a rich and creamy sound".


The gramophone

2012 December

af

af

Ken Smith

2012 December

"While Connolly's dark vocal hues fully convey Mahler's melancholy, her singing offers few of the glimpses of joy that ultimately makes the music far more tragic. Beyond that, however, the OAE provide soemthing all too rare in the Mahler catalogue ... This is a recognisable portrait of Mahler as a young man, rather than an elder composer of 10 symphonies looking backwards. And for that reason alone, it deserves a place on the shelf".