"Though the soloists are lesser known, they are all excellent: powerful, expressive, and sweetly in tune. Though the orchestra is the period instrument Concentus Musicis Wien, it, too, is excellent: tight, together, and colorful ... But what can explain Harnoncourt's interpretation? The slow parts are either to too slow or too fast. The fast parts are either too fast or too slow. The rhythms are usually too choppy, but sometimes they're too smooth. The balances are odd ... For some listeners, the resulting performance may be highly enlightening; for others, it may be simply weird".