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Music / solosang

Lieder

Robert Schumann

Reviews (23)

DR musik

2017 [uge 48]

By

By

Max Fage-Pedersen

2017 [uge 48]

"Ugens album: På Ugens Album synger Florian Boesch lieder af Schumann og Mahler, og man hører hans helt specielle evne til at sætte de enkelte fraser under lup ... Subtile, inderlige udtryk håndteres med fantastisk sikkerhed, og det bliver til tyske lieder der næppe kan udføres bedre".

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MusicWeb international

2015 November

By

By

Ralph Moore (musikanmelder)

2015 November

"The haunting Berg songs are creamily sung and make an apt interlude between the two Schumann cycles. They are not among my personal favourite songs in that I find them a little self-conscious and saccharine but I cannot imagine any aficionado being disappointed by such musically flawless singing and playing".

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Politiken

d. 10. Dec. 2015

By

By

Thomas Michelsen

d. 10. Dec. 2015

"Den sølvskinnende tyske sopran Dorothea Röschmann løfter dem [Frauenliebe] trods et lidt hurtigt, dirrende vibrato med stærk indlevelseskraft. Schumanns Liederkreis ... ånder ikke helt så medrivende ... Men pianisten Mitsuko Uchida følger og bærer med nænsom, diskret perfektion. Hendes klaverspil er i særklasse, og i Alban Bergs mere ekspansivt anlagte syv tidlige sange kan Dorothea Röschmann åbne sin klang og opnår både sødme og sanselighed".

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BBC music magazine

2012 Christmas

By

By

Hilary Finch

2012 Christmas

"Julius Drake is perfectly attuned to the palette of shifting colours in Finley's dark baritone - here in top form".

BBC music magazine

2008 January

By

By

Hillary Finch

2008 January

"There are curiousities aplenty: three ballads for declamation, finely recited by Christoph Bantzer; a gypsy octet, complete with tambourine and triangle; and, most touchingly of all, Schumann's setting of his own poem to accompany the gift os a piano to his beloved Clara".

BBC music magazine

2018 January

By

By

Jessica Duchen

2018 January

"Boesch's flexible and rich-grained baritone blends with the colourful support of Malcolm Martineau at the piano to offer splendidly characterised accounts of the Schumann ... It's in the Mahler, though, that Boesch and Martineau reach new heights ... The emotional impact is devastating".

Fono Forum

2013 November

By

By

Christoph Zimmermann

2013 November

"Dass Anne Schwanewilms dem Finallied [Schumann] bei allem emotionalen Engagement den letzten Jubelton schuldig bleibt ... scheint also eine Sache persönlicher Impulsivität ... Die Wolf-Kollektion stellt Anne Schwanewilms ... ein denkbar gutes Zeugnis aus ... Auch dank, Manuel Lange".

BBC music magazine

2013 November

By

By

Michael Tanner (musikanmelder)

2013 November

"There are lovely things here. But given that Anne Schwanewilms is one of the finest singers of our time, there should be more. Partly it's a matter of her vocal condition: often she sounds strained as she goes above the stave ... Partly I think it's the placing of the microphones".

Diapason

2015 decembre

By

By

Hélène Cao

2015 decembre

BBC music magazine

2016 February

By

By

Michael Tanner (musikanmelder)

2016 February

"The whole disc, once I'd adjusted to the sound, seemed the perfect Lieder recital".

Klassisk

2016, nr. 40

By

By

Esben Tange (f. 1962)

2016, nr. 40

"To uhyre kompetente musikere ... Röschmann er fremragende til at karakterisere og farve de enkelte ord, og Uchida meddigter fornemt med et klaverspil, der med søvngængeragtig sikkerhed smyger sig om Röschmanns stemme ... Ikke desto mindre forløser Röschmann og Uchida ikke til fulde Schumanns lieder ... Til gengæld ... med al deres akkuratesse Alban Bergs lieder".

The gramophone

2013 January

By

By

David Patrick Stearns

2013 January

"This new recording shows a greater richness in Finley's voice plus an evolving intimacy in his approach to recording Lieder, one that retreats from the word-by-word vocal painting of Dietrich Fischer-Dieskau".

The gramophone

2008 January

By

By

Richard Wigmore

2008 January

"Vurdering: Editor's choice" - "Another Schumann must, with Royal in glorious form in a wonderful cycle".

Politiken

d. 9. Apr. 2000

By

d. 9. Apr. 2000

Jyllands-posten

d. 11. Apr. 2000

By

d. 11. Apr. 2000

Kristeligt dagblad

d. 20. Mar. 2000

By

d. 20. Mar. 2000

Berlingske tidende

d. 23. Aug. 2000

By

d. 23. Aug. 2000

Jyllands-posten

d. 4. May 1999

By

d. 4. May 1999

Kristeligt dagblad

d. 13. Sep. 1999

By

d. 13. Sep. 1999

Berlingske tidende

d. 15. Sep. 1999

By

d. 15. Sep. 1999

The gramophone

2017 November

By

By

David Patrick Stearns

2017 November

"A performance that momentarily convinces you the piano-accompanied version [of Lieder eines fahrenden Gesellen] is preferable to the better-known orchestral version, with much credit going to Malcolm Martineau who generally displays more temperament than the baritone ... The profound sense of leave-taking in the final Wayfarer song draws some of the most coloristically subtle singing I've yet heard from Boesch".

The gramophone

2015 December

By

By

Hugo Shirley

2015 December

"Right from the start, we get a sense of the quality in store - Röschmann's interpretative imagination, Uchida's supremely honed touch - even if it's clearly the German soprano in the driving seat ... Röschmann's many fans will need no encouragement, and nor will those with a more general interest in Lieder. I'm impatient to hear more".