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Reviews (2)
AllMusic
2014
By
By
James Manheim
2014
" Dowland seems to use dissonance in a different way in each pavan, and the apex of the trend is reached in the chaotic opening of Matthew Locke's Fantasy for two trebles and bass, which Hugo Wolf might have been proud to have written. Holloway and his quartet of German string players are admirably supported by ECM's engineering".
BBC music magazine
2014 October
By
By
Paul Riley (musikanmelder)
2014 October
"Dowland himself was prepared to countenance performances with violin consort. This is the less familiar route Holloway and his colleagues have chosen, deploying four violas atop a bass violin ... The result is predictably brighter,more edgy than viol performances, and the playing is superbly fastidious and concentrated".