Music / klassiske symfonier

Symphony no. 7 in A major, op. 92


Reviews (17)


Classics today

d. 22. May 2008

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By

David Hurwitz

d. 22. May 2008

"Ivan Fischer's Beethoven Seventh surely ranks with the best among recent performances ... That said, the couplings are a puzzle. I like the idea of pairing Beethoven with his contemporaries, and the Rossini overture sounds brilliant, but why only single movements from the Weber and Wilms pieces? Either give us complete works, or find another concept that can be accommodated on a single disc ... Fine as the performances are, it's difficult to see who will want this disc beyond Beethoven symphony specialists, and more's the pity".


Presto classical

d. 30. Apr. 2021

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Katherine Cooper

d. 30. Apr. 2021

"Editor's choice - April 2021: In the wake of his red-in-tooth-and-claw account of the Fifth Symphony last year, the balletic elegance of Currentzis's Seventh took me entirely by surprise: Beethoven's 'apotheosis of the dance' is given with true Terpischorean grace here, with the arc of each movement and of the symphony as a whole quite beautifully plotted. The second movement stirs into life from a barely audible extreme pianissimo, and the Dionysian energy of the finale is held in check until the last possible moment, to startling effect".


DR musik

d. 31. Jan. 2006

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Valdemar Lønsted

d. 31. Jan. 2006

"Liveoptagelsen er ét ubrudt take-it-or-leave-it-forløb, og det føles virkelig berusende. ... Anskaf denne nye cd med Kleiber! Sluk for mobilen, tvet og computeren! Hør den! Hør den fra begyndelse til slut! Og bliv opslugt af de guddommelige gnister, der udgik fra denne sjældne dirigent!".


Politiken

d. 13. Apr. 2021

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Henrik Friis (f. 1978)

d. 13. Apr. 2021

"Den græske dirigent Teodor Currentzis, der opbyggede sin musikalske karriere gennem 15 år i Rusland med sit eget orkester, MusikAeterna, forstår Beethovens 7. symfoni som en genspejling af klassisk arkitektur. Som rette linjer, symmetri, ensartede byggesten og lange forløb af kridhvide søjler - med fokus på rytmiske mønstre, præcision og puls ... Der var kritik af Teodor Currentzis og hans version af Beethovens 5. symfoni, da den kom ud for et par år siden - at dirigentens fokus på præcision og rette linjer imusikken gik ud over poesien og sangen i melodierne ... Hos Currentzis træder kunsten frem i streng arkitektur og med vilde eksplosioner af information, og for lyttere, der elsker det romantiske kæmpeorkester med brede vibrerende klangflader, er hans blik på Beethoven stærkt kontroversielt og virker måske endda helt umusikalsk. Jeg synes, at det er voldsomt imponerende, det, der foregår ... Vi får denne gang Beethovens symfoni sitrende af dramatisk nerve - som om det var et lille kammerorkester, der kommunikerede tæt - samtidig med at musikken folder sig ud i store imposante udtryk".


Jyllands-posten

d. 3. Apr. 2002

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d. 3. Apr. 2002


Jyllands-posten

d. 24. June 2002

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d. 24. June 2002


Jyllands-posten

d. 15. Feb. 2006

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John Christiansen

d. 15. Feb. 2006

"Kleiber dirigerer fjedrende, frisk og elegant, men ikke bemærkelsesværdigt som på hans video/dvd-udgave med Concertgebouw ... denne nye cd er kun for urokkelige Kleiber-fans".


BBC music magazine

2006 May

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Michael Tanner (musikanmelder)

2006 May

"The whole thing has as much character as one could hope for [Triple concerto] ... A blazing performance of the Seventh Symphony, which reaches a superbly disciplined and frenzied conclusion".


BBC music magazine

2008 April

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By

Misha Donat

2008 April

"Iván Fischer presents Beethoven's Seventh in the context of other works composed or performed around the time of its premiere on 8 December 1813 ... The recording is first-class, too, though the balance could have placed greater emphasis on the timpani and horns, which contribute so strongly to the work's distinctive sonority".


Fono Forum

2021 Mai

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Christoph Vratz

2021 Mai

"Die Aufnahme bietet insgesamt eine Reihe von Vorzügen, von packender Passagen und exquisiten Detailbeobachtungen, doch ob das reicht, um von grundlegenden neuen Einsichten zu sprechen, wird sich erst zeigen, wenn der Zyklus in die Zielgerade einbiegt".


BBC music magazine

2021 May

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By

Julian Haylock

2021 May

"Orchestral choice: Throughout, rather than adopting a headlong interpretative profile, Currentzis inflects Beethoven's indelible invention with an at times startling range of articulation that bristles with spontaneous relish. Rather than cossetting us in a warm bath of reassuring musical semantics, Currentzis offers up a bracing, tingling cold shower".


High fidelity

2002 3

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2002 3


High fidelity

2002 4

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2002 4


Opus

2021, nr. 103

By

By

Jörgen Lundmark

2021, nr. 103

"Teodor Currentzis och hans egen orkester Musicaeterna har gång på gång lyft orkesterspelet till oanade höjder. Man kan ha åsikter om tolkningarna, men den rytmiska friskheten och precisionen är anmärkningsvärd även i jämförelse med världens främsta ensembler. Det går inte annat än att beundra Currentzis förmåga att förmå musikerna att ge sitt yttersta. Beethovens sjunde symfoni har spelats in av de flesta stora dirigenter, men i jämförelse med Currentzis klingar till exempel Karajan och Kleibers hyllade tolkningar mindre övertygande".


The gramophone

2021 April

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By

Rob Cowan (f. 1948)

2021 April

"Teodor Currentzis seeks 'an architecture that uncovers spirituality, not a spiritual approach that tries to find the architecture' ... These and related thoughts only go to underline the amount of dedication and perceptive thinking that has gone into this extremely singular view of the work ... Primarily a vivid demonstration of interpretative potential rather than a compelling interpretation on its own terms. Still, at least it conveys an authentically personal viewpoint, and in my book that counts for a great deal".



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