"There are moments where you can hear FitzGerald toying with a melody that could easily fill a club or send a festival crowd into a frenzy, only to pull back and focus on melancholy once again; "Knife to the Heart" is the best example, with a titanic synth line worthy of EDM's bro princes relegated to spot duty. Its other highlights find a middle ground between the genteel, bookish techno of label-mate Jon Hopkins and the ruthless pop-house of Disclosure, electronic music's reigning boy kings. Single "Full Circle" and "Crystallise" manage an impressive balancing act: you can imagine them slotting in on the radio somewhere, but they also don't sound quite like anything else in that sphere".