Half way home

"Olsen's white-hot volatility isn't the main story of Half Way Home, but more the engine that carries her equally remarkable sense for folk- and country-based arrangements into something far less definable; even "anti-folk" is shallow in comparison. When you put the two together, out comes one of the most curious and exciting young voices currently emerging from the Americana realm".

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"What makes Half Way Home magnificent is its openness to what could be, to potential. Yes, we're all going to die in the end, and you can get there by casting off all belief and going it alone, or gathering moss and weighing heavier, leaving a mark, going the distance with company. It's the battle between the internal and external, the transference of intention to what's really conveyed; the tug of war between wanting to be something to someone and offering them yourself in return, while keeping something for self-protection. It's a very open record about what goes on behind a staunch emotional guard".

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