"It would be unfair to say that our attention, even without visible drama, is not fully held ... And, as before, Webern and Berg (and now, perhaps, Debussy in the third part here, 'La mort de Tintagiles') nourish Reimann's melodies and harmonies. Especially noteworthy is his contrasting use of instrumental groupings ... As in Lear, Reimann augments the drama by the pure sound and tessitura of his vocal writing, recalling his special gifts as a Lied accompanist ... The recording seems true and serviceable but a DVD to show us Vasily Barkhatov's important creation of a production would have been invaluable".