Robert Ellis

"It's a divorce record that meditates on themes of infidelity, existential pain, accountability, desire, conflict, loss, acceptance, and the marrow-deep restlessness in his own life that drives them all ... The artist makes a convincing argument here that he too belongs in Houston's pantheon".

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"Rather than ending the record with an emphatic statement, the band sounds confused and adrift. Which is a shame, because for most of its passing, Robert Ellis is an exercise in confident songwriting, creative arrangements, and strong playing".

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"On last year's vivid The Lights From The Chemical Plant, Texas-to-Nashville transplant Robert Ellis showed off poetic American songcraft recalling James Taylor and Paul Simon, folk and classic country roots branching into pop-rock with a deep twang. His fourth LP takes that impulse further".

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"Robert Ellis' self-titled album is the sound of a young songwriter solidifying his blend of East Nashville country with whatever sounds, styles, and sentiments that suit his interests. Or, as he puts it: "How can you call it art when you're sticking to a dotted line?"".

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