"The instrumentation leans more gypsy than Viking, with viola, clarinet and swaying accordion, though the band improvises and plays off each other in a manner equally suitable to jazz and tango. According to Westergaard, "The focal point was: can I create a meaningful hybrid halfway between the two genres?" Arguably, that's not even the proper thing to listen for. When soaking in the rich tones of Tangofied III, there's no reason to consider them separate at all".