Piano concertos nos. 9 & 24
Wolfgang Amadeus Mozart
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Reviews (9)
The observer
d. 8. Oct. 2017
By
By
Nicholas Kenyon
d. 8. Oct. 2017
"Jean-Efflam Bavouzet's exhilarating journey through the Mozart piano concertos continues with two richly rewarding works from the fertile year 1784. Both show baroque influences, with quasi-fugal effects in the two magnificent finales, and Bavouzet's sprightly and incisive playing brings out all the detail, with tiny nuances that bring the lines to life ... More soon, I hope".
Presto classical
2021
By
2021
"The first two volumes of Anne-Marie McDermott's Mozart piano concerto cycle with the Odense Symfoniorkester have received a superb critical reception. Volume 3 of the series hears the great American pianist in Mozart's final piano concerto, K. 595, paired with Mozart's sparkling, heartbreaking E-flat concerto, K. 449. The Odense Symfoniorkester is led by the German conductor, Sebastian Lang-Lessing".
Politiken
d. 16. Dec. 2014
By
By
Thomas Michelsen
d. 16. Dec. 2014
"Den spinkle klang af Brautigams hammerklaverinstrument balancerer smukt med den tilsvarende gennemsigtige klang af det lille, men gode periodeorkester, og musikken springer til live, som var den blomster, der blev vandet ... Ronald Brautigam har ydet en altid levende, men i dette tilfælde nærmest sublim præstation ... hvor man som kirsebærret på toppen får sopranen Carolyn Sampson i Mozarts dramatiske koncertarie 'Ch'io mi scordi di te' ".
Weekendavisen
d. 16. Dec. 2005
By
By
Peter Johannes Erichsen
d. 16. Dec. 2005
BBC music magazine
2017 November
By
By
Max Loppert
2017 November
"Bavouzet reveals himself a Mozartian every bit as mercurially imaginative and technically audacious as he already has been in the piano music of Haydn ... The collaborative vigour of the concerto readings proves still more attractive. Particularly in the finales, buoyancy and moments of relaxation are balanced in a way that brought smiles of pleasure to this listener's face".
Classical music
2017 November
By
By
Colin Clarke (musikanmelder)
2017 November
"This is wonderful programming: the two concertos separte the two string divertimentos. It's also good to see the Manchester Camerata getting recognition it deserves ... Bavouzet seems to have even more energy than the orchestra ... The two divertimentos are pure joy ... This is one of the finest accounts of K459".
Diapason
2015 septembre
By
By
Laurent Marcinik
2015 septembre
The gramophone
2017 October
By
By
Harriet Smith
2017 October
"Bavouzet enjoys the pomp of the piano's first entry in the opening movement of K449 but also its inward qualities, some of the most memorable moments comings when he is accompanying the orchestra. Highlights are too many to list but the solemn slow movement is certainly one of them".
The gramophone
2015 February
By
By
Nalen Anthoni
2015 February
"It's a remarkably superior performance, excellently engineered, all instruments realistically balanced with each other".