Macbeth
Giuseppe Verdi
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Musik / operafilm
Macbeth
Giuseppe Verdi
Tosca
Giacomo Puccini
Le nozze di Figaro : the Da Ponte cycle
Wolfgang Amadeus Mozart
Il trovatore
Giuseppe Verdi
Don Pasquale
Gaetano Donizetti
L'italiana in Algeri
Gioacchino Rossini
Turandot
Giacomo Puccini
100th anniversary edition
Tito Gobbi
Deidamia
Georg Friedrich Händel
L'elisir d'amore
Gaetano Donizetti
2023 October
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Roy Westbrook
2023 October
"Christof Loy's 2022 Salburg Festival production of Il trittico (The Tryptich) plays the operas in the order different than the composer's ... The logic for the reordering might be to increase the focus on the lead female role across the triptych. The Festival favourite Asmik Grigorian stars in all three, and here her characters have a larger part in each successive opera, so she dominates increasingly over the evening ... The Vienna Philharmonic play very well indeed. Franz Welser-Möst shows himself a fine Puccini conductor, responding especially well to the impressionist atmosphere and verismo histrionics ... But you must hear Asmik Grigorian in these roles if you can".
d. 28. juli 2023
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Katherine Cooper
d. 28. juli 2023
"Recording of the week: Loy's decision to reorder the operas is the one idiosyncratic element in a production that's otherwise fairly straight-down-the-line. The main event is a performance of Suor Angelica which packs a punch so powerful that Loy's reshuffling of the trilogy seems non-negotiable ... Grigorian's Angelica is quite simply in a league of its own: from the moment when the dam bursts during the great confrontation with her aunt she stakes her claim as one of the greatest singing actresses since Callas".
d. 9. okt. 2007
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Thomas Michelsen
d. 9. okt. 2007
d. 19. dec. 2007
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John Christiansen
d. 19. dec. 2007
2023 October
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Alexandra Wilson (musikanmelder)
2023 October
"Opera choice: I'd not had an opportunity to watch Asmik Griforian before, but in the space of three short hours she had jumped effortlessly to the top of my list of favourite singer-actresses. Though not every aspect of this production is perfect, a performance like Grigorian's here cannot conceivably be given less than five stars, for she is a sensation - each heroine entirely distinctive, every expression psychologically nuanced, her singing matched only by the unbridled playing of the Vienna Philharmonic".
2013, nr. 45
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Axel Lindhe
2013, nr. 45
"Här bjuds man på ett genomgående färgstarkt ensemblespel i ett hysterisk tempo [Gianni Schicchi] - man har inte tråkigt en sekund - och Lucio Gallo ... är lysande i rollen. De två andra verken i trilogin är mer tårdrypande, med Suor Angelica som det mer hjärtskärande ... Ermonela Jaho i huvudrollen ... övertygande i sin oskuldsfullhet och sårbarhed och uttrycksfull och tydlig i agerandet - ett fynd! ... I det första verket, Il Tabarro ... Eva-Maria Westbroek som Giorgetta är tonsäker, men är lite grovhuggen i agerandet ... Stundtals strömmar magi från orkesterdiket. I Puccini befinner sig Pappano naturligtvis på hemmaplan".
2023 October
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Richard Bratby
2023 October
"Taking those three issues in reverse order, it's fair to say that Welser-Möst exceeds expectations ... That actually [also] works rather well with Loy's overall aesthetic ... The trilogy finds its focus around the heroine in each opera, with Asmik Grigorian's three performances (alone of the cast, she's the lead in all three pieces) becoming the golden thread upon which the entire staging hangs. And she really is golden: living on her nerve-ends and singing with a radiance and a dramatic intensity that grows and grows to an ending of almost unbearable pity and power ... [In Suor Angelica] Grigorian holds the stage almost throughout; a performance of heartrending vocal beauty and equally potent vocal characterisation ... You might feel Loy pushes it too far but you're unlikely to look at these three operas in quite the same light again, and that alone would make this production worth seeing".
2023 September
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Manuel Brug
2023 September
"Darstellerich toll ist Grigorian, aber mit harschem Timbre, die Stimme selten auf harmonischen Bögen schweben lassend ... Feinmechanisch ist das ein meisterlicher Abend - weil Loy wunderbar das Personenräderwerk dieses vielfigurigen Werkes zu drehen weiss. Meisterlich entlockt ebenso Franz Welser-Möst den Wiener Philharmonikern einen zurückhaltenden, finessenreich aufleuchtenden Puccini. Die meistenteils unbekannte, für Salzburg wenig glamouröse Besetzung genügt allen Ansprüchen, sticht aber nicht heraus ... So bringen bewährte, beliebte Salzburg-Namen einen festspielwürdigen Opernabend zum Abheben, aber nicht zur Apotheose".
2023, nr. 70
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Andrew Mellor
2023, nr. 70
"Puccinis opera-triptykon fra 1918 slår aldrig fejl. Det kræver sin instruktør at trække en linje gennem tre så kontrasterende værker, men Christof Loys iscenesættelse ved Salzburg festspil sidste sommer blev erklæret en triumf i den henseende - samt for den klare og skarpe historiefortælling ... Min motivation for at anbefale denne opsætning er sopranen, som med lynets hast er ved at blive Salzburgs darling: Litauiske Asmik Grigorian. I en usædvanlig udholdenhedspræstation indtog hun den centrale kvindelige rolle i alle tre operaer på en aften, som er fanget på denne udgivelse".
2012 November
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Manuel Brug
2012 November
"Auch wenn Anja Harteros, die die Schwester Angelica geben sollte, leider abgesagt hat, die Besetzung ist gut gelaunt und ausgeglichen. Richard Jones hat klug, modern, bunt und trotzdem atmosphärisch differenziert inszeniert. Und Antonio Pappano legt besonders die strukturellen und harmonischen Unterschiede dieser Operntrias klar".
2012 October
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Richard Fairman
2012 October
"Vurdering: Gramophone choice" - "Outstandingly filmed, this set marks a high point for live opera on DVD ... I have no hesitation in making this new Trittico the top recommendation".
2012 septembre
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Emmanuel Dupuy
2012 septembre
"Vurdering: Diapason d'or".