Le sacre du printemps
Igor Stravinskij
Emneord
Minder om
Nemeton
Matthias Pintscher
The unknown Richard Strauss
Richard Strauss
Piano concertos no. 5 and no. 0
Ludwig van Beethoven
Piano sonatas I
Franz Schubert
Arpeggione
Franz Schubert
Verklärte Nacht Op. 4
Arnold Schönberg
Richard : Strauss - Wagner
Richard Strauss
Symphonien Nr. 40 & 41
Wolfgang Amadeus Mozart
Tyrannic love
Henry Purcell
Anmeldelser (7)
Klassik heute
d. 22. okt. 2018
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Georg-Albrecht Eckle
d. 22. okt. 2018
"Beide Werke, das halbstündige Klavier-Trio und vierzigminütige Klavier-Quartett, sind durchaus Schlüsselwerke, nicht nur Staunobjekte des Wunderknaben. Sie werden höchst seriös realisiert von Solisten, die bestens zusammenstimmen ... Da ist nichts auszusetzen; denn abgesehen vom höchst ausgewogenen und stilsicheren Zugriff, versuchen die Solisten nicht, aus diesen Werken mehr zu machen als sie sind ... Man bleibt objektiv. Und spielt so meisterlich-epigonal wie diese Werke gemeint sind".
Jyllands-posten
d. 15. feb. 2006
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John Christiansen
d. 15. feb. 2006
BBC music magazine
2014 July
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Hilary Finch
2014 July
"The idea for this programme is more seductive than its execution ... The youthful piano quartets ... are both played with enthusiasm by the Fauré Quartet. It's the songs in between that are the problem. Simone Kermes ... sings them with little sense of style or idiom".
Diapason
2019 septembre
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Michel Stockhem
2019 septembre
BBC music magazine
2019 January
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David Nice
2019 January
"Blumenthal is adept at switching from Brahmsian sweep to the pre-Till Eulenspiegel sparkle ... There's sufficient unpredictability in the second-movement Presto, and the extra spring of the finale's development to keep this performance very companionable, and the sound is rich as well as perfectly balanced".
The gramophone
2014 July
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Peter Quantrill
2014 July
"In ways more subtle in scale but no less carefully provocative ... this recording asks us to redefine what we think we mean by Romantic performance values ... A selection of much-loved Lieder, sung by Simone Kermes with a cabaret-style intimacy that well suits these arrangements ... make an ideal match for the knowing naïveté of Kermes and the quartet, as dry and refreshing as a decent martini".
International record review
2014 September
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William Hedley
2014 September
"Kermes sings all these songs with engaging freshness".