"Walton's two symphonies mark a fresh departure. Symphony No 1 (1935) ... opens ... with a broad, outdoor canter and an unmistakable splash of Sibelius. By the last movement, Walton's own majestic, brass-rich orchestral voice takes over ... In contrast, the second symphony has lighter textures, with echoes of Stravinsky, and, surprisingly for a more rear garde composer, ventures into atonality. Brass and woodwind shine throughout, and the BSO strings sound punchy and lithe".