"Benedetti's vibrant, beefy full-throttle tone is made for the concerto, and she's an assertive soloist, never disappearing into the glowing textures the London Philharmonic weaves around her. Vladimir Jurowski conducts with a clear eye on the work's huge dimensions, and Benedetti, too, shapes the violin's restless music into long, sinewy paragraphs. Her interpretation may lack the introspective quality of the revelatory recording Nigel Kennedy made back in the mid 1980s, and you occasionally wish Jurowski would risk letting the orchestra run away from him, but the end result is a performance with a sure sense of direction and lots of heart".