Musik / opera

Wozzeck


Anmeldelser (11)


The guardian

d. 5. jan. 2017

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Kate Molleson

d. 5. jan. 2017

"This new recording from the Houston Symphony under Hans Graf is as lustrous and well-fed as you'd expect from a Texan outfit, with thundering lower strings and glossy, supple wind lines ... The singing is gripping: baritone Roman Trekel is one of today's top Wozzecks, full-on and volatile, his violence cracked with frailty, and Anne Schwanewilms plays Marie with devastating dignity".


MusicWeb international

2017 February

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Gwyn Parry-Jones

2017 February

"Recording of the month: This new Naxos recording is emphatically worth hearing ... There's no doubting the star of this recording; Anne Schwanewilms, the German soprano, is simply sensational as Marie ... This wonderful singer clearly has a faultless sense of pitch; and in singing the music accurately, she misses nothing ... Unquestionably a worthy addition to the library; a powerful overall achievement, including one truly great performance".


BBC music magazine

2017 March

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Steph Power

2017 March

"This live, 2013 concert performance by the Houston Symphony, under their then outging musical director Hans Graf, benefits from a stellar cast. Yet ... principals Roman Trekel and Anne Schwanewilms lack desperation sufficient to paint the score blood red ... Much attention is paid to orchestral detail, and Berg's rhythmic polyphony in particular is lucidly rendered".


Diapason

2017 mai

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Emmanuel Dupuy

2017 mai


Fono Forum

2017 April

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Richard Lorber

2017 April

"Die ganze Aufführung hat Tempo und Witz, sie hört sich an wie ein gut inszeniertes Hörspiel".


Berlingske tidende

d. 29. sep. 1999

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d. 29. sep. 1999


Operabladet Ascolta

(2000) 18. årgang nr. 6

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(2000) 18. årgang nr. 6


Politiken

d. 4. dec. 1999

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d. 4. dec. 1999


Jyllands-posten

d. 26. okt. 1999

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d. 26. okt. 1999


The gramophone

2017 March

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Peter Quantrill

2017 March

"Editor's choice: One of the finest Wozzecks on record, orchestrally speaking: whether massed for the interludes or fragmented mid-scene, the players don't miss a trick ... The most memorable vocal impression is left by Anne Schwanewilms, who brings distinct and theatrical ideas about Marie to the concert platform ... [Trekel's] Wozzeck is more sung, and evenly so, than most rivals on record; he travels through scenes like a noble savage ... Graf could hardly have left a more dedicated testament of his commitment to the opera and to his work in Houston".


Operabladet Ascolta

(2013) 32. årgang nr. 3

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Henrik Marcussen

(2013) 32. årgang nr. 3

"Er helt igennem besat med østtyske kræfter, og Theo Adam og Gisela Schröter leverer en intens og kraftfuld opførelse".